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Jazz Articles about Gregory Hutchinson

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Liner Notes

Ralph Bowen: Keep the Change

Read "Ralph Bowen: Keep the Change" reviewed by C. Andrew Hovan


I can still remember the impression that Ralph Bowen made on a young jazz enthusiast trying to break into radio and be part of the hip jazz crowd. I had decided to get involved with the programming end of a local non-profit arts support organization and on a letter perfect July evening our committee had lined up a double bill that included Kevin Eubanks and the mid '80s collective Out Of The Blue. An hour or so before OTB was ...

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Radio & Podcasts

Gregory Hutchinson: It’s All About Feel

Read "Gregory Hutchinson: It’s All About Feel" reviewed by Leo Sidran


Gregory Hutchinson--or “Hutch" as he is known--is one of the most highly regarded and highly recorded jazz drummers on the planet. Part of what makes him so special is that he sits at the crossroads of the old school and the new school. He was mentored by old jazz masters like Red Rodney, Ray Brown and Betty Carter. He worked extensively with Joshua Redman and Roy Hargrove, among many other innovative jazz musicians of his generation.He has also ...

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Album Review

JD Walter: What the World Needs Now

Read "What the World Needs Now" reviewed by Pierre Giroux


JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...

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Album Review

Kurt Rosenwinkel: Undercover: Live At The Village Vanguard

Read "Undercover: Live At The Village Vanguard" reviewed by Chris May


Kurt Rosenwinkel records in a variety of situations, either from inclination or to keep himself and his audience fresh or both. In 2022 alone, he released three unusually diverse albums: Plays Piano, a solo outing on which he plays piano only; The Chopin Project, a co-led disc with pianist Jean-Paul Brodbeck exploring the work of Frederic Chopin; and Berlin Baritone, another solo album, this time playing a baritone guitar. Undercover: Live At The Village Vanguard is back ...

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Album Review

Soweto Kinch: White Juju

Read "White Juju" reviewed by Chris May


Adding politically charged spoken-word lyrics to instrumental jazz needs to be done with care, because if sloganeering is tedious to listen to once, it becomes unbearable on repeated exposure. The record containing it drops off one's playlist. Counterproductive or what? The British saxophonist and rapper Soweto Kinch, however, has pulled the trick off many times. From Conversations With The Unseen (Dune, 2003) through to The Black Peril (Soweto Kinch Recordings, 2019), Kinch has made the combination work because of the ...

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Album Review

Theo Croker: Jazz at Berlin Philharmonic XII: Sketches of Miles

Read "Jazz at Berlin Philharmonic XII:  Sketches of Miles" reviewed by Mark Sullivan


Let us just cut to the chase and say this is a terrific collection of live concert interpretations and arrangements of acoustic Miles Davis music, drawing from recordings originally released between 1956 and 1968. This period arguably includes his most beloved output, with a place in the hearts of most jazz fans. The first disc in the set focuses on the Miles Davis Quintet, as played by the Theo Croker Quartet. The second disc is devoted to Davis's large ensemble ...

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Album Review

Dayna Stephens: Right Now! Live At The Village Vanguard

Read "Right Now! Live At The Village Vanguard" reviewed by John Chacona


In his 2018 book, Playing Changes, Nate Chinen argues that the fundamental jazz dialectic of the 1980s and 90s, namely tradition vs. innovation, was ultimately a false choice. Two years later, Dayna Stephens' Right Now! Live at the Village Vanguard proves the point in the most eloquent way possible. In many ways, Right Now! is a traditional undertaking, from the classic horn-and-rhythm-section formation to the set list heavy with tunes taken at a mid-stroll tempo. And nothing cements ...


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