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About Gonzalo Rubalcaba
Instrument: Piano
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by Jim Santella
This solo piano album from Gonzalo Rubalcaba finds the artist searching. With themes from Afro-Cuban culture running through his performance, he improvises soulfully and at his own pace. As one of the jazz world's most exciting pianists, he's able to sit down, take his time, and let the ideas flow gently. Each piece represents a passionate ordeal, both introspective and lush.
Rubalcaba keeps his program under the radar for the most part. Quiet lullabies, gentle boleros and soft-spoken ...
read moreGonzalo Rubalcaba: Paseo
by Eric J. Iannelli
Gonzalo Rubalcaba Paseo Blue Note 2004
Occasionally I like to take advantage of hindsight and see what appraisal I've given to an album long after the review has run and the disc has had time to remain or reappear (or neither) in my player. What I often find is that a disc I've assessed as good," to eschew more loaded and potentially confusing adjectives, doesn't necessarily have the durability and enduring allure ...
read moreGonzalo Rubalcaba: Paseo
by Alex K. Fong
Paseo, the title of virtuoso Cuban pianist Gonzalo Rubalcaba's first album as a leader in three years, means walk" or stroll" in English.
And that's what he does throughout the record with his New Cuban Quartet.
Rubalcaba examines his musical roots as if he were walking through his hometown for the first time in many years. He plays tunes that conjure up images of exuberant youths at local playgrounds, intense teenagers exposed to the newness of the streets, and adults ...
read moreGonzalo Rubalcaba: Paseo
by AAJ Staff
On Paseo, Gonzalo Rubalcaba's latest venture, the esteemed Cuban pianist plays electric keyboards on some tracks, and there's an electric bassist on every track. The skeptical listener might conclude that Rubalcaba has finally sold out" and made a fusion record. There's hardly a backbeat on any part of Paseo. But it's certainly a form of fusion, uniting urgent modern jazz with the rhythms and melodies of Cuban folk forms. The result is something new, even audacious, and utterly refreshing.
Rubalcaba ...
read moreGonzalo Rubalcaba: Paseo
by Jim Santella
With his new Cuban quartet, pianist Gonzalo Rubalcaba has re-emerged in a creative session marked by the melding of tradition with growing forces. The fiery pianist's desire to wake up modern jazz has always proven fruitful and innovative. This time out, he shows that a healthy creative spirit will provide new directions when given the opportunity.
Rubalcaba has said, I used to do an album or two a year, but that pace doesn't give you the opportunity to ...
read moreGonzalo Rubalcaba Trio in Seattle
by Christopher Jones
Gonzalo Rubalcaba Trio in SeattleDimitriou’s Jazz Alley August 8th, 2000
I don’t have many pet peeves, but this is one of them: Why is it that so many jazz musicians, when performing live, neglect to say much of anything to the audience? Is this a phenomenon passed down from the bebop era, a time when many jazz musicians played the role of cryptic, illusive outsider? Is it the influence of Miles Davis, who often exhibited a detached, ...
read morePat Martino: Think Tank
by Joel Roberts
It's been nearly twenty years since Pat Martino's comeback from a near-fatal brain aneurysm. In that time he's re-established himself as one of the jazz world's premier guitarists, a technically advanced post bop player who combines forward-thinking musical ideas with native Philly grit; think Pat Metheny with more soul. Think Tank , as the name suggests, finds Martino at his most cerebral, which has its pros and cons. The title track, for example, is a blues of ...
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