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Jazz Articles about Gerald Cleaver

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Album Review

Christopher Parker: Soul Food

Read "Soul Food" reviewed by John Sharpe


Pianist Christopher Parker convenes the Band Of Guardian Angels for five slices of rootsy free jazz on Soul Food. There is an organic down home feel to the often laid back interplay. But of course the creation of enduring music while being this relaxed occurs not by chance but stems from untold depth of experience. Joining Parker and his wife, vocalist Kelley Hurt, are three vets from the NYC scene in bassist William Parker (no relation), drummer Gerald Cleaver and ...

10
Album Review

Caleb Wheeler Curtis: Heatmap

Read "Heatmap" reviewed by Paul Rauch


It is mostly troublesome to make blanket assertions about jazz and the musicians that facilitate the art form. Such assertions are subjective at best, yet it would not seem unreasonable to assert that Caleb Wheeler Curtis is one of the more interesting alto saxophonists to emerge since 2000. His playing has a radiant, vocal quality to it, whether addressing strong melodies, or abstractions of the same. His approach is strong without being forced, and while his musical spirit has an ...

7
Album Review

Daniel Carter / Matthew Shipp / William Parker / Gerald Cleaver: Welcome Adventure! Vol. 2

Read "Welcome Adventure! Vol. 2" reviewed by John Sharpe


Such is the magic of free jazz that even when uniting known quantities, the outcomes can still surprise and enchant. Welcome Adventure! Vol. 2 constitutes the second release from an October 2019 session which brought together four seasoned veterans of the NYC scene in reedman Daniel Carter, pianist Matthew Shipp, bassist William Parker and drummer Gerald Cleaver. Given countless prior collaborations, in all manner of permutations, it's not a bombshell that they form such a flexible and empathetic unit on ...

5
Album Review

Tomas Fujiwara's Triple Double: March

Read "March" reviewed by Jerome Wilson


This is the second release by drummer and vibraphonist Tomas Fujiwara's unique double trio with himself and Gerald Cleaver on drums, Mary Halvorson and Brandon Seabrook on guitar and Taylor Ho Bynum and Ralph Alessi on brass, a group that can be configured as two trios, three pairs of instruments or something in between. The sound of the resulting combinations can come out ambient or raucous, but tends towards an angular prog-jazz fusion sound, that can pack the punch of ...

9
Album Review

Tomas Fujiwara's Triple Double: March

Read "March" reviewed by Mark Corroto


Drummer, composer and vibraphonist Tomas Fujiwara did not set out to rebut the saying “familiarity breeds contempt," but March from his sextet Triple Double does just that. His combination of three pairs of double instruments—guitarists Mary Halvorson and Brandon Seabrook, cornet/trumpets Taylor Ho Bynum and Ralph Alessi, plus double drummers Gerald Cleaver and Tomas Fujiwara himself—creates respect, the opposite of contempt. The harmonious and organic nature of this music, first heard on their self-titled debut album Triple Double (Firehouse 12, ...

1
Album Review

Benoît Delbecq 4: Gentle Ghosts

Read "Gentle Ghosts" reviewed by Alberto Bazzurro


Quando ci capita di incontrare, discograficamente parlando, il pianista francese Benoît Delbecq, cinquantasei anni il prossimo giugno, non rimaniamo mai delusi, e questo suo ultimo lavoro, inciso a Parigi nel settembre 2019, non fa eccezione. Vi è all'opera il suo oliatissimo, efficientissimo quartetto, cui il tenore di Mark Turner dà la sua classica impronta, diafana, sorniona, vigorosamente pensosa (un contrasto in termini? e perché mai?), cui il parterre che lo affianca, anche grazie alla puntualità strutturale di ...

10
Album Review

Tomas Fujiwara's Triple Double: March

Read "March" reviewed by Troy Dostert


Drummer Tomas Fujiwara's March, another offering from his Triple Double sextet, was recorded in December 2019, prior to the widespread racial unrest that followed the killings of George Floyd, Breonna Taylor, and many others in 2020. But it feels completely of a piece with those protests, with an unsettled anger and impatience that animate every moment of this absorbing album. Creating music that seems perfectly suited for a tumultuous age, Fujiwara's compositional instincts are spot-on, and he once again marshals ...


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