Home » Jazz Articles » George Fludas
Jazz Articles about George Fludas
Paul Marinaro: Not Quite Yet
by Richard J Salvucci
The cover of the album is vaguely noir, with the urban greenish cast of tungsten film. A sole figure leans slightly against a building, downcast, staring into his soul, and waiting out a lit cigarette when it was still hip to smoke. The guy is Frank Sinatra and the album was In The Wee Small Hours. The year is 1955. It is difficult to believe that Chicago-based vocalist Paul Marinaro has even been born, but clearly, Sinatra will make an ...
Continue ReadingEric Jacobson: Discover
by Nicholas F. Mondello
With Discover, Milwaukee-based trumpeter and jazz educator Eric Jacobson and team take us on an aural time trip back to the days when album covers were iconically black and white or monochrome and the contents within were drenched in blue-hued Hard Bop. This is a fine effort with that precise presentation. “New Combinations," which launches the date, is anything but new and sets the trajectory. One of four Jacobson originals, it is a straight-head burner directly out ...
Continue ReadingEric Jacobson: Discover
by Jack Bowers
If trumpeter Eric Jacobson's name doesn't ring a bell, it could be because he is based in Milwaukee, Wisconsin, not in New York City, Chicago, Los Angeles or any other jazz mecca. What's more, Jacobson has not recorded often; Discover is only his second date as leader or co-leader. Hindrances aside, Jacobson's is a name with which one should become familiar, as he is an excellent trumpeter and composer, and Discover is splendid from start to finish. ...
Continue ReadingKyle Asche Organ trio: Five Down Blues
by Pierre Giroux
It has been well documented that the Covid-19 pandemic has played havoc with the careers of the participants in the arts. The members of the Kyle Asche Organ Trio have also felt its sting. But fortunately they have a musical snapshot of the final time they made music together in March 2020, which forms the basis of this release entitled Five Down Blues. In this live eight track session, guitarist Asche along with Pete Benson on Hammond Organ and drummer ...
Continue ReadingAlyssa Allgood: What Tomorrow Brings
by C. Michael Bailey
In the chemistry lab, solvents are said to be punctilious when they have been completely purified through filtering, distillation, and chromatography. Punctilious ether, if a sound, could be compared to the perfectly polished tone generated from lead crystal when struck with a platinum spoon. This is the level of refinement heard in Alyssa Allgood's voice on What Tomorrow Brings. Allgood has been filtering and distilling her tone over three previous recordings: Lady BIrd (Self Produced, 2015); Out Of The Blue ...
Continue ReadingHans Luchs: Time Never Pauses
by Budd Kopman
While it does not scream downtown, avant-garde, uber originality, guitarist Hans Luchs debut recording, Time Never Pauses, is far from a vanilla, “jazz as style" offering, and, in fact has much going for it. For one thing, his band, consisting of drummer George Fludas, bassist Clark Sommers, pianist Stu Mindeman and Shaun Johnson on trumpet is extremely tight, precise and, in many spots, smoking. Luchs does not dominate the session, and is part of the rhythm section for ...
Continue ReadingHans Luchs: Time Never Pauses
by C. Michael Bailey
Chicago-based guitarist Hans Luchs draws more from the recent than far past. More John Abercrombie and John Scofield than Wes Montgomery or Grant Green. His debut recording Time Never Pauses is a collection of eight original compositions and two transformed standards reveals the continued refining of modern jazz composition well past the head-solo section-head style of hard bop and the liquid freedom of post bop into pure composition. “Der Lumenmeister," the album opener is labyrinthian in both ...
Continue Reading
