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Jazz Articles about Gary Peacock

14
Album Review

Albert Ayler With Don Cherry: 1964 Recordings First Visit Completed

Read "1964 Recordings First Visit Completed" reviewed by John Eyles


In 2020 the ezz-thetics label released the two-disc CD European Recordings Autumn 1964 Revisited which comprised the six November 9th 1964 radio recordings made in Hilversum, the Netherlands, by the quartet of Albert Ayler, cornetist Don Cherry, bassist Gary Peacock and drummer Sunny Murray, “Angels," “C.A.C.." “Ghosts." “Infant Happiness" (composed by Don Cherry), “Spirits" and “No Name." That album also contained nine other recordings by the same quartet, made in Copenhagen, Denmark, in September 1964. In 2016, the HATology label, ...

10
Reassessing

The Cry!

Read "The Cry!" reviewed by Richard J Salvucci


This recording is, at first glance, a bit of an unusual choice by Craft Recording for its Contemporary Records Acoustic Sound Series audiophile vinyl series. Neither Prince Lasha (pronounced Lashay) nor Sonny Simmons make an appearance in Bill Kirchner's The Oxford Companion to Jazz (Oxford University Press, 2000). An earlier reviewer for AAJ allowed as how both players were talented, but probably understood no more about Ornette Coleman's theory of “harmolodics" than the average listener did. Skepticism or, indeed, lack ...

13
Album Review

Albert Ayler / Don Cherry: Albert Ayler With Don Cherry 1964 Recordings First Visit Completed

Read "Albert Ayler With Don Cherry 1964 Recordings First Visit Completed" reviewed by Chris May


It is possible that in his liner notes for this album, Brian Morton has unraveled the riddle that is Albert Ayler. Was he a genius? A hoaxer? An outsider artist before the term was coined? A person in the grip of autism? An avant-gardist who decided to become a (whisper it) populist? A religious evangelist? A leather fetishist? An out-of-his-tree stoner? The list goes on, the speculation will continue, and it is permissible to tick multiple boxes, or none. But ...

20
Album Review

Francois Carrier Ensemble featuring Mat Maneri /Tomasz Stańko / Gary Peacock / Michel Lambert: Openness

Read "Openness" reviewed by Mark Corroto


Openness waited nearly two decades on a shelf (ok, probably on a hard drive) before being released for our listening pleasure. Recorded on May 5 & 6, 2006 at the Théâtre La Chapelle in Montréal, Canada, these three precious discs document a meeting between Canadian saxophonist François Carrier and Polish trumpeter Tomasz Stańko. It is the Polish label Fundacja Sluchaj to thank for this release and the prior disc Unwalled (2022), with Carrier being joined by Alexander von Schlippenbach, John ...

Album Review

Albert Ayler: Summertime To Spiritual Unity Revisited

Read "Summertime To Spiritual Unity Revisited" reviewed by Giuseppe Segala


Tra gli anni Cinquanta e Sessanta del Novecento, una vorticosa accelerazione spinse le arti e alimentò la creatività verso esplorazioni audaci, esprimendo personalità e individualità di valore universale. Autentico visionario, tra urlo febbrile e tenera carezza, tra ruvida e profonda adesione alle radici afroamericane e tensione verso il futuro, tra riferimenti tematici trasfigurati, inni religiosi, marce bandistiche e dense campiture di puro suono che hanno la forza dell'espressionismo astratto, Albert Ayler attraversò come una meteora il firmamento della musica neroamericana, ...

5
Liner Notes

Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited

Read "Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited" reviewed by Chris May


Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, was not shy about coming forward with similar (questionable) claims. Evans was the first to meet Russell when, in late 1955, ...

Album Review

Paul Bley Trios: Play Annette Peacock Revisited

Read "Play Annette Peacock Revisited" reviewed by Maurizio Comandini


Questi bellissimi quattordici brani sono stati registrati nel 1966 (i primi otto) e nel 1968 (i restanti sei). Tutti sono stati scritti da Annette Peacock e registrati dal trio di Paul Bley, assieme a brani di altri compositori, per poi essere pubblicati nei mesi successivi alla registrazione stessa. Questo eccellente CD della Ezz-Thetics estrae e raggruppa in un unico album i brani scritti dalla compagna di Paul Bley con una iniziativa geniale che mette in grande evidenza la singolarità della ...


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