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Elmo Hope: Trio and Quintet

by AAJ Italy Staff
Questo è uno dei pochi dischi di Elmo Hope in circolazione oggi in Italia. Un plauso alla Blue Note che l'aveva già pubblicato in CD (con identica copertina e stessi brani) 15 anni fa ed oggi lo riedita per il beneficio di chi se l'era perso.Dopo anni di totale oblio, lo sfortunato pianista e compositore bop ha avuto nel decennio scorso una certa rivalutazione critica ma dal pubblico jazz è ancora ampiamente ignorato.Un vero peccato, perché ...
Continue ReadingMiles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

by Colin Fleming
Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll
Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004
One of the more undervalued phases in Miles Davis' career, the years 1963-64 are typically deemed a fallow period, marked by a few mildly inventive studio creations and scattershot radio broadcasts. Davis' transformations were often stylistic, but this collection puts the bulk ...
Continue ReadingMiles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

by Jim Santella
Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll
Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004
Seven discs paint a pretty good picture of the sound that Miles Davis gave us back then.
Some of the master's mid-'60s material has not been previously issued. As had been the case time and again, the Miles ...
Continue ReadingSeven Steps: The Complete Columbia Recordings, 1963-1964

by John Kelman
Eagerly anticipated, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 documents the emergence of Miles' second great quintet, featuring saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. It demonstrates, over the course of seven discs and seven hours, how critical each member of that quintet was. As the group coalesces over a period of two years it's tangible how everything falls into place, like a set of tumblers on a complicated lock.
Continue ReadingArt Pepper: Smack Up

by David Rickert
Art Pepper's reckless lifestyle tended to overshadow his superb musicianship, and the circumstances surrounding Smack Up are certainly no exception. Shortly after recording it in 1960, he spent three years in jail for heroin possession, and one can only wonder if the title of the record is a play on words. Nevertheless, Pepper is in good form, as he usually was despite his troubles, darting over the changes and stitching together sharp, boppish lines without hesitation. Featuring a crack rhythm ...
Continue ReadingArt Pepper: Smack Up

by C. Michael Bailey
Art Pepper produced the greatest recordings of the so-called first phase" of his career during periods of intense chaos. A case in point is Art Pepper Meets the Rhythm Section, where the altoist--rusty from inactivity, angry because of the surprise recording session set up by his then-wife Diane, and very, very strung out--expelled an acknowledged masterpiece. The aptly named Smack Up was the penultimate recording to the better part of a decade of incarceration for the musician's well-known heroin addiction. ...
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