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Jazz Articles about Eric Alexander
John DiMartino: Passion Flower: The Music of Billy Strayhorn
by Dr. Judith Schlesinger
Pianist/composer/arranger/producer John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts which also enhance any instrumentalist he accompanies or arranges. All of these talents inform DiMartino's splendid Billy Strayhorn tribute, Passion Flower, where he is joined by his ever-superb colleagues: Eric Alexander on tenor saxophone, drummer Lewis Nash and bassist Boris Kozlov. The wonderful vocalist Raul Midon sings ...
Continue ReadingJohn di Martino: Passion Flower: The Music of Billy Strayhorn
by Jack Bowers
Composer / arranger Billy Strayhorn was barely twenty-three years old when he first met bandleader Duke Ellington, an encounter that would lead to a collaboration that lasted more than half of Strayhorn's life. During that time, Strayhorn wrote some of the Ellington orchestra's most acclaimed and enduring songs including “Lotus Blossom," “Chelsea Bridge," “Isfahan" and, most notably, the jazz classic “Take the 'A' Train," as well as others for which Ellington claimed partial credit ("Daydream," “Something to Live For") and ...
Continue ReadingJohn Di Martino: Passion Flower: The Music of Billy Strayhorn
by Dan Bilawsky
When esophageal cancer took Billy Strayhorn's life in 1967, his work and legacy rested squarely in the shadow of Duke Ellington's world. More than half a century later, though the two figures remain inextricably linked, Strayhorn's genius has moved past the penumbra of his legendary collaborator and employer, occupying its own clear place in the jazz firmament. Through biography and documentary film, his own lush life has been illuminated. And of equal importance, Strayhorn's compositions continue to bloom in others' ...
Continue ReadingHarold Mabern: Mabern Plays Mabern
by Mike Jurkovic
A tad more subdued than the barn-burning The Iron Man: Live At Smoke (Smoke Sessions Records, 2019), Mabern Plays Mabern still manages to jump full throttle from where that defining recording left us, with a lush, lyrical intensity and a vital, legacy-culling energy which plays as an exquisite coda to the pianist's long, outstanding career. Alive with the same stylist's intuition and unbridled spirit which found him cutting through the ranks with such contemporaries as Charles Lloyd and ...
Continue ReadingThe New York All-Stars: Live Encounter
by Chris May
Some things live forever and take-no-quarter hard bop is one of them... If you time travelled back to New York City circa 1958 and wandered into the Half Note or Five Spot, Live Encounter contains the sort of music you might have heard. Tough, emotionally-rich jazz with no-fuss head arrangements, extrovert horn solos and a propulsive rhythm section. The album, recorded at London's Pizza Express Jazz Club in 2018, will appeal to anyone who keeps their Hank Mobley and Tina ...
Continue ReadingEric Alexander: With Strings
by Jack Bowers
To paraphrase Cole Porter: “Bird did it, Chet did it... even many vocalists I bet did it..." And now tenor saxophonist Eric Alexander did it--recorded an album with strings, that is. This represents quite a departure for Alexander who is widely known as one of the more emotive and resourceful improvisers on the scene; but so it was too for Charlie Parker, the foremost architect and unquestioned sovereign of the bop movement who was the first post-Swing Era superstar to ...
Continue ReadingEric Alexander: Leap of Faith
by Angelo Leonardi
Eric Alexander è uno dei massimi tenoristi della sua generazione. In oltre quaranta dischi da leader e un centinaio di collaborazioni, ha evidenziato piena adesione al modern mainstream, privilegiando l'esibizione in quartetti o quintetti con la tipica sezione ritmica comprendente un pianista (spesso il suo mentore Harold Mabern) o talvolta un chitarrista (Pat Martino o Peter Bernstein). Anche la relazione coi partner s'è dimostrata stabile, confermando in molti album John Webber o Nat Reeves al contrabbasso e Joe Farnsworth alla ...
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