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Harold Mabern: Mabern Plays Coltrane
by Mike Jurkovic
As is too often the case, we gain more and more respect and insight into an artist after he or she has passed away. Harold Mabern may have been overshadowed by many of his peers but he remained true to himself: bringing to the music a Memphis-bred hard bop blues and flourishing as both sought after sideman and impish, emphatic leader. Mabern never let you forget that, by all accounts, he was a generous, joyous man who reveled ...
Continue ReadingMike LeDonne: It's All Your Fault
by Jack Bowers
Even though listed on only four tracks, organist Mike LeDonne's superlative Groover Quartet performs on every one of the nine selections on LeDonne's admirable new recording, It's All Your Fault--and that's a good thing, as each member of the quartet (LeDonne, tenor saxophonist Eric Alexander, guitarist Peter Bernstein, drummer Joe Farnsworth) is an accomplished soloist and ardent team player. On the album's remaining tracks, the quartet is assimilated into LeDonne's seventeen- member big band, a taut and high-powered unit that ...
Continue ReadingCory Weeds: O Sole Mio! Music From The Motherland
by Jack Bowers
O Sole Mio!, the latest in a series of splendid albums by Canadian-bred saxophonist/entrepreneur Cory Weeds, is subtitled “Music from the Motherland"-- in other words, Italy, which, presumably, is Woods' ancestral home. Whatever the case, Woods' blue-chip quintet focuses for the most part on music born in Italy or written by Italian-Americans including Henry Mancini, Nino Rota, Pat Martino, Chick Corea and Dodo Marmarosa. To allay any doubt that all would go well, Weeds invited the superlative tenor saxophonist Eric ...
Continue ReadingCory Weeds: O Sole Mio! Music From The Motherland
by Pierre Giroux
Even in these trying and uncertain times, there are some professional creative artists who recognize the need to “carry on" and make the best of a bad situation. Saxophonist Cory Weeds is one of those individuals. He is releasing O Sole Mio! Music From The Motherland on his own label, CellarMusic. Weeds has merged his talents as an alto saxophonist with Mike LeDonne's Groover Quartet featuring LeDonne on Hammond B3 organ, Eric Alexander on tenor saxophone, Peter Bernstein on guitar ...
Continue ReadingJohn DiMartino: Passion Flower: The Music of Billy Strayhorn
by Dr. Judith Schlesinger
Pianist/composer/arranger/producer John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts which also enhance any instrumentalist he accompanies or arranges. All of these talents inform DiMartino's splendid Billy Strayhorn tribute, Passion Flower, where he is joined by his ever-superb colleagues: Eric Alexander on tenor saxophone, drummer Lewis Nash and bassist Boris Kozlov. The wonderful vocalist Raul Midon sings ...
Continue ReadingJohn di Martino: Passion Flower: The Music of Billy Strayhorn
by Jack Bowers
Composer / arranger Billy Strayhorn was barely twenty-three years old when he first met bandleader Duke Ellington, an encounter that would lead to a collaboration that lasted more than half of Strayhorn's life. During that time, Strayhorn wrote some of the Ellington orchestra's most acclaimed and enduring songs including “Lotus Blossom," “Chelsea Bridge," “Isfahan" and, most notably, the jazz classic “Take the 'A' Train," as well as others for which Ellington claimed partial credit ("Daydream," “Something to Live For") and ...
Continue ReadingJohn Di Martino: Passion Flower: The Music of Billy Strayhorn
by Dan Bilawsky
When esophageal cancer took Billy Strayhorn's life in 1967, his work and legacy rested squarely in the shadow of Duke Ellington's world. More than half a century later, though the two figures remain inextricably linked, Strayhorn's genius has moved past the penumbra of his legendary collaborator and employer, occupying its own clear place in the jazz firmament. Through biography and documentary film, his own lush life has been illuminated. And of equal importance, Strayhorn's compositions continue to bloom in others' ...
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