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Mike Jurkovic's Best Jazz Albums Of 2022
by Mike Jurkovic
Jazz continues to evolve and win swaths of converts despite what Tik-Tok and a chaotic, crumbling music industry (and world order) might render. These discs, in no particular order and representing no particular form, (ie: bop, free, nu-jazz, house jazz, whatever) are just a small gathering of the many great discs and great ideas the music and the musicians, continue to generate. Listening in 2022 was inspiring! Here's to a most promising 2023! Emmet CohenUptown In ...
read moreGhost Herd, The Lion + New Releases
by David Brown
This week, recordings associated with bandleader Woody Herman (Ralph Bures, Ella Fitzgerald, Anita O'Day, Jimmy Giuffre) but not playing any Herman (a ghost set). Then, Emmet Cohen's Uptown in Orbit and his influences—Ellington, Monk, Willy “The Lion" Smith. We've got new releases from Eri Yamamoto, Patricia Brennan & Dezron Douglas and a whole lot more! Travel the Jazz Continuum. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club—Complete (Columbia) 00:30 Emmet Cohen “Finger Buster" from ...
read moreEmmet Cohen: Uptown In Orbit
by Mike Jurkovic
Pianist/composer/educator/impresario Emmet Cohen has proven himself time and time again to be one of the guiding lights of 21st century jazz. And he may have/could have single-handedly saved our collective sanity and jazz's continued rise and relevance when, in the face of a world plague, he began streaming Live From Emmet's Place from his apartment in Harlem. First it was Cohen and his trusty trio mates, bassist Russell Hall and drummer Kyle Poole. Then the sessions expanded to include such ...
read moreEmmet Cohen has one foot in the tradition, and another in the future
by Leo Sidran
Within about a week of home quarantine in March 2020, pianist Emmet Cohen started live-streaming shows every Monday night from his apartment in Harlem.At first it was just Cohen and his bandmates, drummer Kyle Poole and bassist Russell Hall, set up in Cohen's living room. Eventually they started inviting guests, and Emmet's Place became one of the spots for live jazz in pandemic New York. Six months in, it had really caught on: the Emmet's Place performance of ...
read moreTim Mayer: Keeper of the Flame
by Jack Bowers
On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." Mayer's tenor spans a bridge from early John Coltrane to George Coleman, Joe Henderson, Bob Mintzer and other post-bop patriarchs with a dash of ...
read moreEmmet Cohen: Hail the Piano Player
by Zachary Weg
In a plain, gray building off Edgecombe Avenue in Harlem, pianist, Emmet Cohen, gently hammers on his instrument, head bopping to the drum hits and bass thuds that reverberate along the plant-lined walls of his apartment. Thirty years old and one of the finest piano players to emerge in decades, the Miami-born and Montclair, New Jersey-raised musician is not just the poster man for contemporary jazz, breathing 2020s finesse onto early twentieth century swing, he is a supremely gifted and ...
read moreAnaïs Reno: Lovesome Thing: Anaïs Reno sings Ellington & Strayhorn featuring Emmet Cohen
by Richard J Salvucci
The first time someone told me that Billy Strayhorn was a teenager when he wrote “Lush Life," I didn't believe it. Not so much because of the harmonic gymnastics, which were daunting enough, but because of the lyrics. “Romance is mush stifling those who strive, I'll live out a lush life in some small dive." No, someone had to have lived quite a bit to write something like that. No-one at eighteen could know that, so I thought, because I ...
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