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What's The Point, Part 2
by Dom Minasi
This is the second entry for my new column at All About Jazz. I actually published What's The Point? in my own blog in January 2012. All About Jazz asked if I would be interested in writing for them; I was surprised and honored. I decided to update and rewrite the original article; because of the response and all the emails I received, I wanted to expand and make some of my points longer and clearer. I have increased the ...
Continue ReadingWhat's The Point, Part 1
by Dom Minasi
This is the first entry for my new column at All About Jazz. I actually published What's The Point? in my own blog in January 2012. All About Jazz asked if I would be interested in writing for them; I was surprised and honored. I decided to update and rewrite the original article; because of the response and all the emails I received, I wanted to expand and make some of my points longer and clearer. I have increased the ...
Continue ReadingDom Minasi: Looking Out, Looking In
by Bruce Lindsay
Over three days in July, 2011 guitarist Dom Minasi entered Studio 104 in New York and recorded seven solo electric guitar improvisations. The tunes, gathered together as Looking Out, Looking In, form Minasi's first ever solo album. The guitarist is an experienced improviser with an extensive discography. He's capable of impressive flights of musical fancy, of inspired and inspiring ideas. Minasi's previous 2011 release, The Bird, The Girl & The Donkey (Re:konstruKt) featured some intense and challenging ...
Continue ReadingDom Minasi: The Bird, The Girl, The Donkey
by Bruce Lindsay
New York guitarist Dom Minasi has years of experience on the jazz scene as a player, writer, improviser and educator. The Bird, The Girl and The Donkey finds Minasi in the company of some other leading lights of the New York improvised music scene, on five extended pieces characterized by some adventurous interplay, some good-humored musical ideas, and a batch of great titles. It's altoist Blaise Siwula whose presence is most obviously stamped upon the music: intense, ...
Continue ReadingDom Minasi: The Bird, The Girl And The Donkey
by Dan Bilawsky
This music is like a shot of adrenaline to the heart. It's full of energy and raw power, and it brings a little bit of pain along with it. This quintet delivers ferocious avant-garde music that, essentially, runs full tilt from beginning to end. Guitarist Dom Minasi's name is at the top of the marquee, but the music on The Bird, The Girl And The Donkey is delivered by a collective presence; Minasi is, in fact, one ...
Continue ReadingDom Minasi String Quartet: Dissonance Makes the Heart Grow Fonder
by Raul d'Gama Rose
Although the titles of this set of miniature concerti are admittedly quirky it is this very character that gives the music of the Dom Minasi String Quartet's Dissonance Makes the Heart Grow Fonder startling precision as well as emotion. Often one or the other characteristic is largely absent from music of this nature: that which has been composed and improvised upon as well. Did the Brandenburg Concertos not have bubbling emotion? And yet were they not so mathematically precise. Or ...
Continue ReadingDom Minasi: Dissonance Makes the Heart Grow Fonder
by AAJ Italy Staff
Dom Minasi ha creato questo quartetto circa quattro anni fa, dopo aver inciso The Vampire's Revenge che prevedeva una formazione di quindici elementi. Si tratta di un quartetto anomalo di strumenti a corda, diverso dal quartetto d'archi classico. Per questo la formazione è in grado di produrre un sound proprio, dato soprattutto dall'accostamento del nitido pizzicato della chitarra al sound prevalentemente scuro di tre strumenti ad arco quali violino, violoncello e contrabbasso. Certo il tipo stesso di formazione e il ...
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