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Jazz Articles about Dhafer Youssef
Dhafer Youssef: Abu Nawas Rhapsody
by John Kelman
After two albums exploring the nexus of ages-old Middle Eastern harmony and modernistic electronics, Tunisian-born oudist/vocalist Dhafer Youssef turns to a stripped-down, completely acoustic environs for Abu Nawas Rhapsody. Despite leaving Oslo behind--where, on Digital Prophecy (Enja, 2003) and Divine Shadows (Jazzland, 2006), he collaborated with some of Norway's more intrepid musicians including guitarist Eivind Aarset, pianist Bugge Wesseltoft and trumpeter Arve Henriksen begin_of_the_skype_highlighting end_of_the_skype_highlighting--the Vienna-based Youssef remains associated with the Norwegian scene through his release of the disc on Wesseltoft's ...
read moreDhafer Youssef / Wolfgang Muthspiel: Glow
by Chris May
Although it's a dual-leader album, in which oud player Dhafer Youssef's performance is at least as important as that of guitarist Wolfgang Muthspiel, one of Glow's chief causes for celebration is Muthspiel's on-form presence. After releasing the shimmeringly beautiful Bright Side (Material Records, 2006)--a little-known masterpiece which may yet take its place alongside such jazz guitar iconographs as Johnny Smith's Moonlight In Vermont (Roulette, 1953, reissued 2004) and Wes Montgomery's Incredible Jazz Guitar (Riverside, 1960)--Muthspiel's project with drummer Brian Blade, ...
read moreDhafer Youssef: Digital Prophecy
by Javier AQ Ortiz
The genesis of Digital Prophecy is diaphanously cinematic. With flowing dramatic ardor, “Diaphanes” exudes a strong oud aroma. It’s earthy, simple, relaxed, and suggestively enhanced with dripping and aerial electronic effects from Eivind Aarset, who also gleams on guitar. As Yoda would say of the crescendo caravanesque march of “Aya”—which first exhibit the leader’s haunting Arabic vocals—“Rich in melodic, rhythmic, chordal and harmonic subtleties, insinuated in sensual Middle Eastern over and undertones an album this is.”
Dhafer Youssef ...
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