Jazz Articles about Dhafer Youssef

Dhafer Youssef: Abu Nawas Rhapsody

by AAJ Italy Staff
December 14, 2010

Di Dhafer Youssef, quarantatre anni, nativo di Teboulba, Tunisia, questo è il quinto album; e diciamo subito che, rispetto a quanto conosciamo di lui, non riserva sorprese di sorta, confermando pregi e difetti di una musica senz'altro suggestiva, con un suo pathos, ma non di rado un po' sopra le righe, un po' sguaiata, troppo attenta all'effetto a discapito di rigore e buongusto (in ciò differenziandosi, per esempio, da quella del conterraneo e collega di strumento Anouar Brahem). Questo Abu ...

Dhafer Youssef: Abu Nawas Rhapsody

by John Kelman
May 12, 2010

After two albums exploring the nexus of ages-old Middle Eastern harmony and modernistic electronics, Tunisian-born oudist/vocalist Dhafer Youssef turns to a stripped-down, completely acoustic environs for Abu Nawas Rhapsody. Despite leaving Oslo behind--where, on Digital Prophecy (Enja, 2003) and Divine Shadows (Jazzland, 2006), he collaborated with some of Norway's more intrepid musicians including guitarist Eivind Aarset, pianist Bugge Wesseltoft and trumpeter Arve Henriksen begin_of_the_skype_highlighting     end_of_the_skype_highlighting--the Vienna-based Youssef remains associated with the Norwegian scene through his release of the disc on Wesseltoft's ...

Dhafer Youssef / Wolfgang Muthspiel: Glow

by Chris May
October 29, 2007

Although it's a dual-leader album, in which oud player Dhafer Youssef's performance is at least as important as that of guitarist Wolfgang Muthspiel, one of Glow's chief causes for celebration is Muthspiel's on-form presence. After releasing the shimmeringly beautiful Bright Side (Material Records, 2006)--a little-known masterpiece which may yet take its place alongside such jazz guitar iconographs as Johnny Smith's Moonlight In Vermont (Roulette, 1953, reissued 2004) and Wes Montgomery's Incredible Jazz Guitar (Riverside, 1960)--Muthspiel's project with drummer Brian Blade, ...

Dhafer Youssef: Digital Prophecy

by Javier AQ Ortiz
January 21, 2004

The genesis of Digital Prophecy is diaphanously cinematic. With flowing dramatic ardor, “Diaphanes” exudes a strong oud aroma. It’s earthy, simple, relaxed, and suggestively enhanced with dripping and aerial electronic effects from Eivind Aarset, who also gleams on guitar. As Yoda would say of the crescendo caravanesque march of “Aya”—which first exhibit the leader’s haunting Arabic vocals—“Rich in melodic, rhythmic, chordal and harmonic subtleties, insinuated in sensual Middle Eastern over and undertones an album this is.”

Dhafer Youssef ...