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David Weiss & Point Of Departure: Venture Inward
by Dan Bilawsky
Fans of trumpeter David Weiss may be a bit confused when they take a look at this album. At quick glance, it reads like a re-tread of Weiss' Snuck In (Sunnyside, 2010), which has a near-identical line-up playing a near-identical program, but there's a good reason for that: both albums were actually recorded a day apart in completely different environments. Snuck In--and companion piece Snuck Out (Sunnyside, 2011)--capture Weiss' Point Of Departure band (mostly) live at New York's Jazz Standard ...
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by Mark Corroto
If music can be described as either masculine or feminine, then recordings by trumpeter David Weiss and his Point of Departure quintet are simply testosteronic. Built upon the legacy of trumpeter Miles Davis' second great quintet and saxophonist Billy Harper's Black Saint inheritance, Weiss presents dexterous arrangements of muscular, second wave hard bop music.This studio session, Venture Inward, was recorded in 2008, one day before the stunning live date at the Jazz Standard, released as Snuck In (Sunnyside, ...
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by Raul d'Gama Rose
Point of Departure: from where a takeoff ensues. The name of this ensemble is most appropriate when it comes to the performances by this extraordinary group of musicians. Snuck Out presents the companion set of a memorable date recorded on March 25, 2008 that produced Snuck In (Sunnyside, 2010). The same intense energy pervades both recording and makes each essential listening. Once again, trumpeter David Weiss does not contribute much in the way of original work for this set, but ...
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by AAJ Italy Staff
Snuck In ha tutte le caratteristiche di una blowing session vecchio stampo. Quattro dei cinque brani registrati rigorosamente dal vivo - al Jazz Standard di New York - , durata superiore ai dieci minuti - il terzo sfiora i venti minuti - esecuzioni dalla classica struttura tema-assoli-tema. Poi realizzi che la band prende nome dal capolavoro di Andrew Hill, uno che la banalità e la linearità la evitava come la peste, che le composizioni portano la firma del succitato Hill, ...
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by Dan Bilawsky
Trumpeter David Weiss was way ahead of his time when he brought together a group of forward-thinking musician-composers to form the New Jazz Composers Octet in 1996. This group--and the writing that was born from within its ranks--received positive critical response from the get-go, and foreshadowed the rise in collective-type situations throughout the jazz community. While Weiss' work within that group helped to mark him as a rising star in the world of jazz composition, his selfless contributions to the ...
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by Raul d'Gama Rose
The term “hipster," although appropriated to everyday use from slang and rarely used today, has a special connotation in music--especially the jazz idiom. It is a dusky, almost nocturnal word, and it has made way for new epithets that stream from rap and hip-hop, but no matter what it describes, it's always someone with certain, unmistakable contemporariness. Having completely absorbed the history of his/her art, an artist begins to live in a novel way, personifying it with a swaggering attitude. ...
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by Mark F. Turner
A keeper of the flame, but a resolute practitioner of forward thinking music, David Weiss has been active for more than twenty years in New York. His horn swings with élan, representing modern post-bop trumpeting whether playing in Charles Tolliver's Big Band, producing other recordings (Robert Glasper, Jeremy Pelt and Marcus Strickland), or at the helm of firebrands such as (Myron Walden, Jimmy Greene, and Dwayne Burno) in his New Jazz Composers Octet. Weiss is deep in this game and ...
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