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Jazz Articles about David Virelles

39
Album Review

David Virelles: Mboko

Read "Mboko" reviewed by John Kelman


For a relatively young musician nearing his 31st birthday in 2014, pianist David Virelles has managed to both garner a strong reputation and emerge with a singular voice in a relatively short period of time. While his early experiences in North America were within the confines of what might be expected from a Cuban expat, playing with Canadian saxophonist Jane Bunnett, whose career has been predicated on a decades-long fascination with the music of Virelles' native country, in recent years ...

Album Review

Roman Filiu: Musae

Read "Musae" reviewed by AAJ Italy Staff


Dafnison Music è l'etichetta fondata dal batterista di origine cubana Dafnis Prieto allo scopo di presentare sul mercato discografico i propri lavori con pieno controllo su tutte le fasi della realizzazione. Con Musae questo processo viene messo a disposizione per la prima volta di un leader diverso, nella fattispecie il sassofonista, anch'esso di origini cubane, Roman Filiu. Gli appassionati lo ricorderanno negli Irakere di Chucho Valdes o recentemente con il progetto David Murray Plays Nat King Cole in Spanish, e ...

6
Album Review

David Virelles: Continuum

Read "Continuum" reviewed by Glenn Astarita


The Afro-Cuban connection is slightly transformed on nascent pianist David Virelles' inspirational trio set, featuring modern jazz luminaries, bassist Ben Street and drummer Andrew Cyrille. With his second solo outing and first for PI Recordings, the pianist has quickly surged to the forefront since migrating from Cuba to Canada, supporting distinguished saxophonist Jane Bunnett and receiving the first-ever Oscar Peterson Award. On “The Executioner," Virelles commingles traditional Latin jazz values with futuristic ideologies and benefits from Cuban ...

2
Album Review

David Virelles: Continuum

Read "Continuum" reviewed by John Sharpe


Pianist David Virelles adopts an unusual strategy for his second album and first on Pi Recordings. Eschewing the piano pyrotechnics which illuminated his debut, Motion (Justin Time, 2008), he opts for an exploration of Cuban folklore and its manifestation through poetry, storytelling and art. Inspired by Afro-Cuban religious practice, Virelles has created a set of episodic tone poems and throbbing rhythms. Consequently there are only glimpses of the talent which has seen him named as one of four young pianists ...

193
Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Troy Collins


Since founding Mythology Records in 1998, tireless alto saxophonist David Binney has alternated between issuing ambitious projects on his own label and cutting casual blowing sessions for the Netherlands-based imprint Criss Cross. Continuing this pattern, Barefooted Town is Binney's second release of 2011, following the expansive Graylen Epicenter (Mythology). Despite the limited studio time afforded Binney's Criss Cross dates, this set's intricate originals have more in common with his elaborate Mythology-based endeavors than his usual stripped-down efforts for the Dutch ...

215
Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Dan Bilawsky


Saxophonist David Binney broke new ground with Graylen Epicenter (Mythology, 2011), which was a world unto itself, and shortly before that, he delivered Aliso (Criss Cross, 2010)--a jagged set of music featuring original works and some compositions from visionaries like Sam Rivers, Wayne Shorter and John Coltrane. With Barefooted Town, Binney returns for another outing on the Criss Cross label, bringing a whole batch of originals along for the occasion. While this music contains the rhythmic twists and turns, and ...

182
Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Dan McClenaghan


Alto saxophonist/composer David Binney must not worry about “market saturation." He releases albums, as a leader for both Criss Cross and his own Mythology label, at a rate that many top jazz artists did during the late 1950's and early 1960's. Less than six months into 2011, he has already offered up Graylen Epicenter (Mythology) and now, on Criss Cross, Barefooted Townunder his own name, in addition to sideman and producer gigs over the years for artists like saxophonist Donny ...


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