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Jazz Articles about David Kikoski
David Kikoski: Surf's Up
by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift to popular material of the current set with some interesting results. Pianist Kenny Barron has recorded a delicate version of Sting's “Fragile," Bob Belden ...
Continue ReadingConrad Herwig: Land of Shadow
by C. Andrew Hovan
In the spirit of Miles Davis and a select number of his followers, Conrad Herwig in the course of his musical endeavors spanning some 20 years has strived to keep the music inching forward to new and previously undiscovered vistas. His versatility as demonstrated by an ability to transcend genres, be it Eddie Palmieri's Afro-Cuban muse or the repertory bent of the Mingus Big Band, also raises its head in his outstanding series of Criss Cross recordings that began with ...
Continue ReadingSeamus Blake: Bellwether
by C. Andrew Hovan
The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music of a somewhat dubious nature.In recently talking with saxophonist Seamus Blake by phone from Vancouver, it occurred to me that his “less ...
Continue ReadingOpus 5: Introducing Opus 5
by Josef Woodard
The Evident Charms and Secret Powers of Five For all the myriad varieties and contextual possibilities under the rubric of what makes for a valid jazz group, there is something distinctively powerful and tradition-enriched about the number five. Smaller groups tighten up the focus on individual voices involved, and often frame a specified protagonist leader, while larger groupings accentuate the greater good of the team. By contrast, the quintet format, especially in the conventional format of trumpet and tenor sax ...
Continue ReadingOpus 5: Swing On This
by Paul Beard
Recorded in September 2021, at the Samurai Hotel Recording Studio under the direction of Mike Marciano, this is the fifth album from contemporary jazz group, Opus 5. Entitled Swing On This, it comprises eight tracks that average around seven minutes each. Hailing from the Netherlands, Opus 5 is a stylish quintet made up of Seamus Blake on tenor saxophone and Alex Sipiagin on trumpet, with drums by Donald Edwards, bass in the hands of Boris Kozlov and last ...
Continue ReadingYuval Amihai: My 90s Summer
by Dan Bilawsky
This fourth album from Yuval Amihai takes inspiration from the halcyon days of a summer long past, recalling formative experiences of a youth spent in the desert city of Beer Sheva in Israel. But it also draws heavily on the guitarist's globetrotting as an adult, looking toward years spent in France and a new life in New York. A work supported by those broad interests and influences spanning decades, My 90s Summer is nevertheless a remarkably focused date showcasing a ...
Continue ReadingOz Noy: Snapdragon
by Mike Jacobs
It's an old sentiment but it still holds that great instrumental chops, enthralling as they may be, are fairly meaningless on their own. And quite frankly, they are pretty ubiquitous these days with the internet exposure machine going full tilt. Given all that, it's quite easy for the listener to become inured with technical prowess-- especially wizardry of the fretboard. So to say Oz Noy is a fantastic guitarist just isn't enough anymore. It's fortunate then that what ...
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