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Jazz Articles about David Binney


About David Binney

1

Album Review

David Binney: Out of Airplanes

Read "Out of Airplanes" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Laddove in Bastion of Sanity, il sassofonista e compositore David Binney portava probabilmente a compimento il personale percorso di rivisitazione e aggiornamento di quella nebulosa jazzistica definita neo-bop, in Out of Airplanes la virata verso strutture compositive più aperte ed un interesse sempre maggiore verso la componente elettrica/elettronica è netta e decisa. In questo senso la scelta dei compagni di viaggio risulta pertinente: Craig Taborn è ormai riferimento imprescindibile per quanto riguarda l’incontro tra elettronica e tastiere, Bill Frisell si ...

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369

Album Review

David Binney / Edward Simon: Oceanos

Read "Oceanos" reviewed by Michael P. Gladstone

by Michael P. Gladstone

Alto saxophonist David Binney has had a very active year. The well-received Cities and Desire (Criss Cross, 2006) was an intense and autobiographical album. Oceanos, co-led by pianist Edward Simon, offers a diverting and more satisfactory package.

Simon and Binney go back a long way and have recorded together on various projects over the years. In addition, Simon has received much recognition for his long-standing role as composer/pianist for Bobby Watson's Horizon ensemble. What is especially attractive about ...

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161

Album Review

David Binney & Edward Simon: Oceanos

Read "Oceanos" reviewed by Glenn Astarita

by Glenn Astarita

Recorded in 2004 and released in 2007, this studio set provides another musical viewpoint set forth by the collaborations (2001's Afinadad, on Red Records) of pianist Edward Simon and saxophonist David Binney. With lithe supported from bassist Scott Colley and drummer Brian Blade, the music iterated here parallels the album title. Think of a soothing coastal breeze during a sunset, where the bustling ocean undercurrents provide a lucid framework for the mind's eye.

Vocalist Luciana Souza's over-the-top vocalise ...

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490

Album Review

David Binney / Edward Simon: Oceanos

Read "Oceanos" reviewed by John Kelman

by John Kelman

Reconvening the same core quartet as on Afinidad (Red, 2001), altoist David Binney and pianist Edward Simon demonstrate how a collaborative effort can bear the distinct imprint of each musician while, at the same time, possessing its own indelible stamp.

Binney and Simon have emerged, over the past decade, as leaders in an evolving musical context informed by broader cultural concerns, often complex harmonic and rhythmic foundations, and a fresh thematic approach that's eminently lyrical yet steadfastly avoids the obvious. ...

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149

Album Review

David Binney / Edward Simon: Oceanos

Read "Oceanos" reviewed by Mark F. Turner

by Mark F. Turner

Oceanos is the re-convergence of two dynamic musicians/composers: saxophonist David Binney and pianist Edward Simon. Both have many individual releases and recent works have earned glowing and deserved praise including Binney's Cities and Desires (Criss Cross, 2006) and Simon's Unicity (Cam Jazz, 2006). The recording is a continuation of fertile and fruitful ideas last heard on their joint release Afinidad (Red Records, 2002), and five years later the results show a greater collaboration of creativity. Enlisting jazz ...

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202

Album Review

David Binney: Cities And Desire

Read "Cities And Desire" reviewed by Budd Kopman

by Budd Kopman

David Binney is one of the few player/composers whose work is almost immediately recognizable: he has a personal approach, yet it ranges far and wide across musical styles. Paradoxically, Cities And Desire has as many differences with Binney's last release, Out Of Airplanes (Mythology, 2006), as similarities, and yet both are quite distinctly David Binney. Some phrases or instrumentation here might remind some listeners of South (ACT, 2001).

This thread, the Binney style, has something to do with the freedom ...

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193

Album Review

David Binney: Cities And Desire

Read "Cities And Desire" reviewed by Michael P. Gladstone

by Michael P. Gladstone

I approached this album with some trepidation, still carrying a perception of David Binney as a free blower from his work in the '90s. I pulled out a copy of The Luxury of Guessing (Audioquest, 1995) and gave it a listen. It wasn't bad, and it also included another hot sax man, Donny McCaslin. Perhaps my impression was due to Binney's debut recording on Owl from 1989, Point Game, but it was nowhere to be found. Regardless, I've likely been ...

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