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Jazz Articles about David Ambrosio


About David Ambrosio

11

Album Review

Eri Yamamoto Trio: A Woman With A Purple Wig

Read "A Woman With A Purple Wig" reviewed by Jerome Wilson

by Jerome Wilson

Pianist Eri Yamamoto was born and raised in Japan. but she has been a resident of New York City for over twenty years. She was there in March 2020 when COVID-19 shut down the world and then-President Trump began to call the disease a “Chinese flu." One day, while waiting to start an outdoor concert, she was confronted by a stranger who knocked off her hat, stepped on the electric keyboard she was carrying and called her one of the ...

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Album Review

Eri Yamamoto, Choral Chameleon: Goshu Ondo Suite

Read "Goshu Ondo Suite" reviewed by Alberto Bazzurro

by Alberto Bazzurro

La pianista e compositrice Eri Yamamoto, quarantotto anni all'epoca dell'incisione in oggetto (novembre 2018), equamente divisi fra il nativo Giappone (Osaka) e l'adottiva New York, persegue in questo ambizioso lavoro un'ideale compenetrazione fra universo jazzistico, classico e popolare. Non si tratta di un'operazione particolarmente nuova (in più di un frangente il tono ricorda per esempio lo storico It's Time di Max Roach, anno di grazia 1962), ma ciò che conta sono sempre i risultati, che nello specifico sono senz'altro apprezzabili. ...

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3

Album Review

Matty Stecks & Persiflage: Night Cravings

Read "Night Cravings" reviewed by Mike Jurkovic

by Mike Jurkovic

Like sneaking into the boy's room for a smoke, bassist Dave Ambrosio intros both Night Cravings, the concept and title track, with a sinister ease, sparking a slow burning fuse that once lit, ain't going out until all in attendance damn well reach accord. Or don't. Either/or, it's a spilling energy not unlike the frisson encounters of Keith Jarrett's storied, 70's American and European quartets. That alone makes Night Cravings well worth your investment. New York is not ...

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Album Review

Andrew Rathbun: Atwood Suites

Read "Atwood Suites" reviewed by Angelo Leonardi

by Angelo Leonardi

Sassofonista e orchestratore canadese, Andrew Rathbun ha 47 anni e una ricca carriera alle spalle, svolta negli Stati Uniti con studi al New England Conservatory sotto la guida di Ran Blake e dal 1997 professionalmente a New York in vari contesti. A partire dal debutto del 1999 con Scatter Some Stones, ha inciso alcuni dischi da leader, il più noto dei quali è Sculpture (Fresh Sound 2002) inciso in quintetto col suo mentore Kenny Wheeler. Con quest'ultimo Rathbun ha collaborato ...

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33

Album Review

Eri Yamamoto Trio & Choral Chameleon: Goshu Ondo Suite

Read "Goshu Ondo Suite" reviewed by Glenn Astarita

by Glenn Astarita

Modern jazz combined with choral vocals has not been in vogue during the genre's varied history. Some notable recordings such as drummer Max Roach's It's Time (Impulse, 1962) and trumpeter Donald Byrd's melding of jazz with spiritual vocals on A New Perspective (Blue Note, 1964) were prolific outings of this ilk. And on Byrd's album, the piece titled “Cristo Redentor" received a fair amount of jazz radio play for decades. But New York-based pianist Eri Yamamoto's new venture, featuring a ...

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40

Album Review

David Ambrosio: Four On The Road

Read "Four On The Road" reviewed by Glenn Astarita

by Glenn Astarita

Bassist David Ambrosio and his trio indulge in smooth sailing, partly due to alto saxophonist Loren Stillman's feathery tones via these largely, medium-tempo bop works, complete with contrapuntal type exchanges and spry breakouts. Several of these piece seem to intertwine within a similar framework and cadence, although there are a few free-form sorties, sparked by Ambrosio and drummer Russ Meisner's asymetrical patterns and staggered flows. On the flip side, the the rhythm section consistently lays out a pronounced, ...

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4

Album Review

David Ambrosio: Four On The Road

Read "Four On The Road" reviewed by Dan Bilawsky

by Dan Bilawsky

On the surface it might not make much sense for a trio album to be dubbed Four On The Road, but there's a story behind that fuzzy math. In 2015, while on the road in Spain touring in support of his previous trio date, Gone (Fresh Sound New Talent, 2014), bassist David Ambrosio encountered the pixelated throwback designs of the famed street artist simply known as Invader. His creations became a constant companion during Ambrosio's group's time in the city ...

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