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Jazz Articles about Dave Liebman

1
Album Review

Quartette Oblique: Quartette Oblique

Read "Quartette Oblique" reviewed by Maurizio Zerbo


La musica di questo quartetto non pare particolarmente innovativa, ma è quanto di meglio ci si può attendere da un onesto disco di mainstream. Il progetto di Dave Liebman e compagni si relaziona alla pratica del grande jazz storico degli anni Cinquanta e Sessanta. Lo testimonia l'interpretazione dei brani soggetta a due parametri fondamentali: classico sviluppo tematico e dinamico interplay. Sin dall'iniziale ”Nardis”, si capisce bene quale sia la ricerca timbrica del sound per arrivare al modo di ...

1
Album Review

Dave Liebman: On the Corner Live!

Read "On the Corner Live!" reviewed by Mike Jurkovic


Saxophonist/flautist and 2011 NEA Jazz Master David Liebman knows of what he speaks when he speaks of Miles Davis. He was part of the pack stirring the rock/jazz/electronic/funk fusion cauldron, first working with Elvin Jones and then running with Davis in the studio--first appearing on the original On The Corner, (Columbia, 1972)--and on tour from 1972 to 1974. And though the electric chapter of Miles Davis and Liebman serves as the historical pivot point, for On The Corner ...

5
Album Review

Liebman, Rudolph & Drake: Chi

Read "Chi" reviewed by John Ephland


Chi is another trio outing with saxophonist Dave Liebman and percussionist Adam Rudolph, the third leg on this stool being drummer Hamid Drake. It is a kind of follow-up to 2018's alternately serene and propulsive The Unknowable (RareNoise), on which Liebman and Rudolph were joined by percussionist Tatsuya Nakatani. Unlike The Unknowable, Chi was recorded in front of a live audience, at New York City's Stone in 2018. You'd never guess, though, given the superb acoustics and extremely ...

3
Album Review

Dave Liebman: On the Corner Live!

Read "On the Corner Live!" reviewed by Geno Thackara


The idea is easy to dismiss at first glance. This is roughly the 127th Miles Davis homage to come along since tribute recordings became a widespread thing. It took a long time for the original On the Corner (Columbia, 1972) to gain acceptance with its thick relentless jungle-funk and lack of conventional melody, but it gradually became a touchstone that still stands without a scratch and impossible to imitate. Still, this one-off performance made a fresh and lively set for ...

14
Album Review

Dave Liebman, Adam Rudolph, Hamid Drake: Chi

Read "Chi" reviewed by Don Phipps


Recorded live at John Zorn's New York City experimental jazz club The Stone in May of 2018, the trio of saxophonist extraordinaire Dave Liebman and multi-instrumentalists/percussionists Hamid Drake and Adam Rudolph use their album Chi to present amazing tone poems and dynamic musical explorations. Liebman's full-throated saxophone voicings juxtapose with Drake and Rudolph's rolling drums and percussion instruments, which splatter and bounce like great waves hitting the rocks off Maui. The interaction is driven by the percussionists, and, ...

5
Album Review

Dave Liebman: On the Corner Live!

Read "On the Corner Live!" reviewed by Victor L. Schermer


When the Miles Davis album On the Corner (Columbia, 1972) was released, Davis had already begun to engage in electronic instrumentation and jazz fusion with soon to be revered recordings: In A Silent Way (Columbia, 1969), Bitch's Brew (Columbia, 1970) and Jack Johnson (Columbia, 1971). On the Corner, however, was so experimental and funky that it incurred the wrath of many critics and sales were minimal. Still, in the ensuing decades, it has come to be regarded as a pioneering ...

13
Interview

Dave Liebman: Archives and Improvisations - The Past and the Now of a Life in Jazz

Read "Dave Liebman: Archives and Improvisations - The Past and the Now of a Life in Jazz" reviewed by Victor L. Schermer


Prolific saxophonist, composer, band leader, and educator Dave Liebman is a living legend, an NEA Jazz Master who has been making waves since the 1970s and never stops growing, learning, and discovering. His autobiography, What It Is (Scarecrow Press, 2012, with Lewis Porter) is an honest probing of his more than half century experience as a musician in the context of his personal life and those with whom he has performed. During all those years, Liebman has collected ...


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