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414
Album Review

Dave Holland / Gonzalo Rubalcaba / Chris Potter / Eric Harland: The Monterey Quartet: Live at the 2007 Monterey Jazz Festival

Read "The Monterey Quartet: Live at the 2007 Monterey Jazz Festival" reviewed by John Kelman


A bonus of festival work is the opportunity to recruit musicians for new collaborations. It doesn't always work, but sometimes it does, and when Monterey Jazz Festival Records' General Manager Jason Olaine worked with Vision Arts manager Louise Holland to bring together bass icon Dave Holland, saxophonist Chris Potter, drummer Eric Harland and pianist Gonzalo Rubalcaba, it seemed like a match made in heaven.

It was. The Monterey Quartet: Live at the 2007 Monterey Jazz Festival, ...

444
Album Review

Dave Holland / Gonzalo Rubalcaba / Chris Potter / Eric Harland: The Monterey Quartet: Live at the 2007 Monterey Jazz Festival

Read "The Monterey Quartet: Live at the 2007 Monterey Jazz Festival" reviewed by Mark F. Turner


The Monterey Jazz Festival has an ongoing rich history of great performances: Louis Armstrong (1958), Miles Davis (1963), Tito Puente & His Orchestra (1977), Shirley Horn (1994) and many others. MJF's 50th anniversary celebration in 2007 continued that honored tradition of swing, resulting in Terence Blanchard's Grammy Award for Best Jazz Instrumental Solo with his performance on Dizzy Gillespie's classic “Be-Bop" by the MJF 50th Anniversary All-Stars. At that same festival, another group of all-stars--the quartet extraordinare featuring bassist Dave ...

1,583
Interview

Dave Holland: Consistently Exceptional

Read "Dave Holland: Consistently Exceptional" reviewed by R.J. DeLuke


This interview, originally published on September 29, 2008, is being reprinted to coincide with the summer 2009 tour of The Monterey Quartet featuring bassist Dave Holland, saxophonist Chris Potter, pianist Gonzalo Rubalcaba and drummer Eric Harland. The group's live album, Live at the 2007 Jazz Festival (Concord, 2009), will be released on August 25. It's been a long time since Dave Holland's small hands strummed a ukulele at about the age of five, an endeavor that eventually led ...

389
Album Review

Dave Holland: Pass It On

Read "Pass It On" reviewed by Jeff Stockton


Following in the bandleading tradition of Charles Mingus and serving as a composing role model for younger players such as Christian McBride and Adam Lane, Dave Holland tinkers with his highly regarded quintet and expands it to a sextet on Pass It On. There’s something about bass players that make them the best jazz composers and Holland applies fresh voices to newly realized arrangements of past compositions, as well as some brand new ones making their debut.

528
Album Review

Dave Holland Sextet: Pass It On

Read "Pass It On" reviewed by John Kelman


Sometimes it's necessary to shake up even a good thing. Dave Holland's decade-old Quintet with vibraphonist Steve Nelson, trombonist Robin Eubanks and saxophonist Chris Potter has garnered multiple awards and significant attention. But while the group has evolved as a standalone unit on albums including Critical Mass (Dare2, 2006), and as the core of Holland's Big Band on Overtime (Dare2, 2005), the overall sonority has become, perhaps, a little too familiar.

The debut of Holland's sextet ...

469
Album Review

Dave Holland Sextet: Pass It On

Read "Pass It On" reviewed by Mark Corroto


It may not be correct to state the music of Dave Holland has matured. With the bassist's latest outing, he takes time away from the Dave Holland Big Band to record his current working sextet that plays music much like a very small big band.

This new lineup replaces vibraphonist Steve Nelson with pianist Mulgrew Miller, and adds trumpeter Alex Sipiagin, from Holland's Big Band. From his now infamous Quintet Holland retains trombonist/composer Robin Eubanks and ...

287
Live Review

Dave Holland with Robin Eubanks at the New England Conservatory

Read "Dave Holland with Robin Eubanks at the New England Conservatory" reviewed by Jay Deshpande


Dave Holland with Robin Eubanks New England Conservatory, Jordan Hall Boston, Massachusetts March 25, 2008

The relationship between jazz and the academy is often a contentious one: professors trained in the classical tradition are reluctant to give wiggle room to jazz pedagogy, and jazz musicians frequently see their work as beyond the restrictive approach of theory. New England Conservatory, located in the heart of Boston, draws a neat line between these camps: its ...


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