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Darren Johnston's Gone to Chicago: The Big Lift
by AAJ Italy Staff
The Big Lift testimonia l'incontro del californiano Darren Johnston con un gruppo di amici musicisti tra i più attivi e creativi della scena jazzistica di Chicago. Ne risulta un disco delizioso in mirabile equilibrio tra ebrezza dell'improvvisazione e attrazione per la forma compiuta. Non è un caso quindi se i due standard presenti sul disco portano la firma di Ornette Coleman e Duke Ellington, forse i massimi interpreti di questi riferimenti stilistici. Love Call" è una splendida dimostrazione di come ...
Continue ReadingDarren Johnston's Gone To Chicago: The Big Lift
by Glenn Astarita
Canada-reared, but calling San Francisco home since 1997, trumpeter and composer Darren Johnston delves into the Chicago's avant, modern-jazz establishment and kicks off a vibrant set, with prominent constituents of The Windy City's fertile soundscape. With The Big Lift, the trumpeter's ascending status within the outer reaches of jazz attains another hierarchical level. Peppered by an undulating groove-quotient, the ensemble combines a frothy and infectious mode of attack by incorporating the blues, mainstream jazz, and avant-garde musings with ...
Continue ReadingDarren Johnston - Aram Shelton - Lisa Mezzacappa - Kjell Nordeson: Cylinder
by AAJ Italy Staff
Provenienze diverse, sia geografiche che stilistiche, ma lo stesso comune amore per la musica improvvisata, avventurosa, di ricerca. Tutto ciò abbinato allo spirito particolare di San Francisco, città dove è stato registrato il disco, e ad un concetto cooperativistico e paritario del quartetto anche dal punto di vista compositivo (ogni musicista contribuisce con almeno due brani). Quartetto che è stato da più parti paragonato a quello rivoluzionario di Ornette Coleman, non solo per tipo di formazione, ma anche per una ...
Continue ReadingDarren Johnston: The Edge of the Forest
by AAJ Italy Staff
Nato nell'Ontario, ma attivo musicalmente nell'area californiana, il trombettista Darren Johnston ha collaborato con i musicisti del Rova Saxophone Quartet, con Fred Frith, Myra Melford e Ben Goldberg. Quest'ultimo è presente nella formazione che ha registrato The Edge of the Forest, un quintetto che Johnston ha selezionato con cura per la propria musica, giungendo a risultati eccellenti. L'organico riunisce quattro fiati, affidati a tre solisti, in grado di fornire una gamma timbrica ampia e articolata: tromba, clarinetto, sax tenore o ...
Continue ReadingDarren Johnston: The Edge Of The Forest
by Mark Corroto
Thoroughly modern doesn't always equate to thoroughly enjoyable and exceedingly complex rarely yields delight. But if the composer is Darren Johnston and the musicianship is of these high standards, the outcome is instantly satisfying.
The Edge Of The Forest is the trumpeter's first Clean Feed disc as leader, but he has been heard on Adam Lane's Full Throttle Orchestra's New Magical Kingdom (Clean Feed, 2007) and No(w) Music (Cadence, 2002). He also leads United Brassworkers Front, an eclectic ...
Continue ReadingDarren Johnston: The Edge of the Forest
by Troy Collins
Canadian-born Darren Johnston was recently chosen by Down Beat Magazine as one of 25 Trumpeters of the Future. Currently working in the Bay Area's fertile new music scene, Johnston is a prime example of the new generation's eclectic interpretation of the jazz tradition. After acquiring his Master's in composition from Mills College in Oakland, California, Johnston went on to hone his craft with such legends as Fred Frith, Myra Melford and Rova. Besides recordings of his collaborative work, The Edge ...
Continue ReadingDarren Johnston / Fred Frith / Devin Hoff / Larry Ochs: Reasons for Moving
by Ivana Ng
Reasons for Moving is what an improvised session should sound like: thoughtful, seamless, dynamic, comfortable. Dawn & The Flat Irons" begins as a conversation between trumpet (Darren Johnston) and bass (Devin Hoff). When drummer Ches Smith comes in, the tune branches off, allowing Smith, Fred Frith (electric guitar) and Larry Ochs (tenor and sopranino saxophones) to play more sparsely. The softer tracks on the CD are more effective. In Deep North," Smith and Ochs ...
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