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Jazz Articles about Daniel Thatcher
James Davis' Beveled: Arc and Edge
by Mark Corroto
Trumpeter James Davis' sextet is aptly named Beveled--a word that means transforming a sharp, square edge into something smoother, more refined. That concept of reshaping and softening defines both the ensemble's instrumentation and its sonic character. Davis sets the tone by trading his bright trumpet for the warmer, more introspective voice of the flugelhorn. He deepens this resonance by adding a second flugelhorn, played by Chad McCullough, alongside two bass clarinetists, Geof Bradfield and Michael Salter. The bass clarinet, known ...
Continue ReadingJames Davis' Beveled: Arc and Edge
by Jack Bowers
Beveled, according to Webster's, translates roughly to “slanted" or “grooved." On Arc and Edge, flugelhornist James Davis' Chicago-based sextet clearly has its own slant on contemporary post-bop jazz wherein the groove ranges from typically improvised passages to cutting-edge motifs and classical chamber music, using a second flugelhorn, two bass clarinets and rhythm to flesh out the leader's sonically unique and harmonically sophisticated compositions. The second flugelhorn is that of Chad McCullough. Geof Bradfield and Michael Salter man ...
Continue ReadingDaniel Thatcher: Waterwheel
by Dan McClenaghan
The two electric guitars, bass and drums ensembles played a big part in shaping popular music. The early 1960s saw the Beatles walk this road. The Rolling Stones rolled that way, too. And prior to that British Invasion, we had the “instrumental rock sound” of groups like The Chantays in 1964 with “Pipeline," The Surfaris, Dick Dale and the Del-Tones, and The Ventures, all groups that fit into the surf rock genre. From there we can go back to Link ...
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