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About Daniel Carter
Instrument: Saxophone
Related Articles | Concerts | Albums | Photos | Similar ToThe Telepathic Band: Telepathic Mysteries, Vol. 1
by Mike Jurkovic
For a quintet grounded in free association, The Telepathic Band sure as hell sound like a disembodied orchestra tuning up to go rogue. Wafting from absolute to adagio a piacere (as they say in Italian or, as we say in our less romantic and crasser Anglo tongue, as they please), the seemingly indefatigable saxophonist Daniel Carter heads his fellow downtown free music legends, clarinetist Patrick Holmes, keyboardist Matthew Putman, bassist Hilliard Greene and drummer Federico Ughi through five broadly defined ...
read moreTEST and Roy Campbell: TEST and Roy Campbell
by John Sharpe
This archival recording does what it says on the tin, capturing trumpeter Roy Campbell Jr. (who died in 2014) with free jazz quartet TEST in a high octane live date from April 1999. These five are masters of the genre. TEST were the archetypal New York City underground band, who could be found in their heyday busking on the subway, as well as igniting the downtown clubs. Multi-instrumentalist Daniel Carter and reedman Sabir Mateen provide the firepower, while bassist Matthew ...
read moreTEST with Roy Campbell: Live at The Hinton House
by Mike Jurkovic
More exquisite madness from Brooklyn's barn burning free jazz label 577 Records, home to the free and the brave. This time it's a hard core NY borough blowout recorded live in April 1999 that cantankerously and vividly chronicles the only known performance of the late, free/avant, Harlem/NoBro legend, trumpeterRoy Campbell. Unrestrained, Campbell raises the roof with a loosely defined autonomous collective of downtown alchemists, namely drummer Tom Bruno, bassist Matt Heyner and the rioting reeds of Sabir Mateen ...
read moreDaniel Carter, Matthew Shipp. William Parker, Gerald Cleaver: Welcome Adventure Vol. 1
by Mike Jurkovic
It takes all of fifty-seven seconds for Welcome Adventure Vol. 1 to move from what starts as of one of those gnarled but exquisite, corpse-like Matthew Shipp solo mind-opuses into exactly that but with some friends. Friends who want want to swing but in a just-out, avant way. It's where their heads are at the moment and is the advance directive imbued in the spirit of Welcome Adventure Vol. 1. The three performances, “Majestic Travel Agency," “Scintillate," and ...
read moreDaniel Carter / Matthew Shipp / William Parker / Gerald Cleaver: Welcome Adventure! Vol. 1
by Karl Ackermann
When multi-instrumentalist Daniel Carter, bassist William Parker and pianist Matthew Shipp met for an esoteric evening of discussion and music at Tufts University in 2017, the net result was Seraphic Light (AUM Fidelity, 2018). That three-part improvised program was one of the best free improvisation albums of the year. On Welcome Adventure! Vol. 1, the trio expands to a quartet with the addition of drummer Gerald Cleaver. The new formation brings with it a sound different from the first excursion. ...
read moreAron Namenwirth / Daniel Carter / Joe Hertenstein / Zach Swanson: Live At The Bushwick Series
by John Sharpe
This instalment of the Live At The Bushwick Series offers a communiqué from the front line of free jazz in New York City. It's the sort of below the radar activity which is rarely documented, but nonetheless deserves to be heard. In this particular case, it's also part of an ongoing event, curated by saxophonist and label boss Stephen Gauci, which happens downstairs every Monday night in Brooklyn's Bushwick Public House. Guitarist Aron Namenwirth and trumpeter and reedman Daniel Carter ...
read moreDaniel Carter: Radical Invisibilty
by Mike Jurkovic
Always on the farthest fringe of both the downtown New York music scene and the jazz world at large hasn't stopped multi-instrumentalist Daniel Carter from leaving an indelible imprint on the greater consciousness. He has worked alongside other mavericks, notably Thurston Moore, Yoko Ono, Cecil Taylor, and Jaco Pastorius. His horns are fiery, disruptive and probing, exultant and brooding, seething and, since the mid-70's, searching as incessantly and masterfully for the right note at the right time. That ...
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