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Matt Mitchell: Zealous Angles
by Troy Dostert
Among 2024's contenders for the most tireless and ambitious pianists in creative music, one has to put Matt Mitchell near the top of the list. When he is not working as a sideman alongside other pathbreaking musicians like Miles Okazaki, Ches Smith, Darius Jones or Kim Cass, he is busy crafting his own idiosyncratic compositions and assembling the uniquely capable ensembles required to bring them into being. Earlier standout efforts included 2017's A Pouting Grimace (Pi Recordings) and 2019's Phalanx ...
Continue ReadingDan Weiss, Jack Sheldon and Marcin Wasilewski
by Jerome Wilson
This show features recent music from Dan Weiss and Ches Smith, vocals by Madeleine Peyroux and Jack Sheldon (with Chet Baker), and a live track from the Marcin Wasilewski Trio. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Marshall Gilkes “Puddle Jumping" from Always Forward (Alternate Side) 00:53 Oscar Pettiford “Speculation" from New York City 1955-1958 (Uptown) 9:22 Host Speaks 15:12 ...
Continue ReadingDan Weiss: Even Odds
by Mark Corroto
Drummer and composer Dan Weiss turns his experiments and percussion exercises into compositions on this trio recording Even Odds. In other words, he composes, not on a piano, but with his drum kit for the twenty tracks heard here. That fact may not be groundbreaking except that Weiss recorded those tracks and sent the music to alto saxophonist Miguel Zénon and pianist Matt Mitchell to contemplate before gathering in the studio to improvise in this overdubbed recording. Weiss' ...
Continue ReadingQuinsin Nachoff: Stars and Constellations
by Vincenzo Roggero
Quinsin Nachoff è personaggio atipico nell'attuale panorama musicale. Attivo e apprezzato interprete di musica classica come di musica improvvisata, continua a operare con successo in entrambi i campi ma da anni,--attraverso lavori commissionati ad hoc, progetti multimediali che coinvolgono esperti di fisica, cineasti, orchestre da camera, quartetti d'archi --, sta portando avanti una personale visione delle possibili convivenze tra i due mondi musicali. Niente di nuovo, si dirà--senza scomodare ingombranti richiami alla Third Stream Music--sono numerosi i ...
Continue ReadingYuhan Su: Liberated Gesture
by Angelo Leonardi
«Quest'album rappresenta la libertà che stavo cercando--dice Yuhan Su--una variante di me più raffinata e un messaggio sul periodo in cui ci troviamo». Giunta al quarto disco in un decennio d'attività professionale a New York, la vibrafonista taiwanese conferma d'essere una strumentista di prim'ordine e soprattutto una compositrice e leader innovativa, in equilibrio tra post-bop e avanguardia. I segni erano evidenti nel suo precedente album per la Sunnyside (City Animals, 2018) inciso con un quintetto differente, dove ...
Continue ReadingDan Weiss: Even Odds
by Mike Jurkovic
To say that “It Is What It Is"--regarding drummer/composer Dan Weiss's feverish first track on the fervently episodic Even Odds--misses the whole point entirely. It could be anything. And within its spacious yet oddly claustrophobic three-and-a-half minutes, evolutions come and go in real time. And real time is a bitch if you cannot keep up. It is a wild statement but one that needs to be said, especially at the onset of music such as Even Odds. It ...
Continue ReadingJon Irabagon's Outright!: Recharge the Blade
by Mark Corroto
As with nearly all of saxophonist Jon Irabagon's music, the matter for debate is whether the listener needs to be as caffeinated as the musician. His brand of performance, going back two decades, has been one of constant motion and a bottomless cup of ideas. We heard this in Irabagon's contribution to the band Mostly Other People Do The Killing, his I Don't Hear Nothin' but the Blues series, and his collaboration with Joe Fonda in Barry Altschul's 3Dom Factor. ...
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