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Hans Luchs: Time Never Pauses
by C. Michael Bailey
Chicago-based guitarist Hans Luchs draws more from the recent than far past. More John Abercrombie and John Scofield than Wes Montgomery or Grant Green. His debut recording Time Never Pauses is a collection of eight original compositions and two transformed standards reveals the continued refining of modern jazz composition well past the head-solo section-head style of hard bop and the liquid freedom of post bop into pure composition. “Der Lumenmeister," the album opener is labyrinthian in both ...
Continue ReadingHans Luchs: Time Never Pauses
by Jack Bowers
Not much can be said about Hans Luchs aside from the fact that he lives in Chicago, looks to be fairly young and plays an intense, assertive and agile guitar on Time Never Pauses, which, incidentally, is Luchs' recorded debut as leader of his own group. Luchs is also a writer who composed eight of the album's ten selections (the others are Duke Ellington's “Come Sunday" and Cole Porter's “Get Out of Town") and arranged all of them.
Continue ReadingClark Sommers: Ba(SH)
by Dan McClenaghan
There's something quite “free" about a trio without a guitar or piano in the mix, with no chords nailing the sound down. Seattle's Origin Records has a history of offering up excellent saxophone/bass/drums outings: bassist Jeff Johnson's Near Earth (2004) and Free (2000), and drummer John Bishop's Nothing If Not Something (2006). Now three veterans of the Chicago jazz scene have teamed up under bassist Clark Sommers' leader baton for an organic sounding outing. Enlisting saxophonist Geof Bradfield ...
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