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Rachel Eckroth: The Garden
by Vic Albani
Approccio numero uno: Non so se ve ne siete accorti ma esistono dischi che al primo ascolto ti fanno dire “ok." Al secondo “eh però...." Al terzo “Cribbio... Wow! Ma cosa stavo ascoltando le altre due volte?." Al quarto, se volete giocare con i maledetti voti, siamo già vicini al “beh cinque stelle e forse oltre..." Poi, necessariamente devi riconsiderare tutto e passi ad un ascolto davvero analitico, ragionato e capisci che però, forse, è proprio così. ...
read moreKate McGarry + Keith Ganz Ensemble: What to Wear in the Dark
by C. Michael Bailey
Being taken for granted is the greatest tribute and worst slight to any artist. Kate McGarry has made music that brilliantly colors outside the lines since her release, Show Me (Palmetto Records) in 2003 (there was a 1992 standards release, Easy To Love (Vital Records) that is out-of-print). Her career has provided five provocatively thoughtful and inventive recordings between that release and 2018's The Subject Tonight Is Love (Binxtown Records). Listeners have come to expect something a little different from ...
read moreKate McGarry + Keith Ganz Ensemble: What to Wear in the Dark
by Dan McClenaghan
Let us start with a nod to Steely Dan, the rock/jazz group headed up by Walter Becker and Donald Fagen, a pair of tunesmiths who hit a career zenith in the early 1970s with albums like Can't Buy A Thrill (1972), Countdown To Ecstasy (1973), Pretzel Logic (1974) and Aja (1974), all on ABC Records. The group drew in top jazz artists to help craft their albums—saxophonists Wayne Shorter and Tom Scott, guitarists Larry Carlton and Lee Ritenour, drummers Steve ...
read moreRachel Eckroth: The Garden
by Mike Jurkovic
One of the Phoenix's brightest lights, pianist-composer-vocalist Rachel Eckroth, who has ably added depth to the music of such polar opposites as Chris Botti, Rufus Wainwright, and St. Vincent, leaves no stone unturned in The Garden, her darkly convincing, Rainy Day Records debut. It is immediately apparent that Eckroth hears things unlike the rest of us. Her music is a prowling evolution, full of darkness yet attainable, redeemable light. Without hesitancy, she shapes and seizes, assembles, dissects, and ...
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