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Jazz Articles about Ches Smith
Matt Mitchell: Oblong Aplomb
by John Sharpe
On Oblong Aplomb pianist Matt Mitchell pays homage to the drummers in his life. In a way, it can be seen as a follow-up to his debut Fiction (Pi Recordings, 2013). That album, a duet with stickman Ches Smith, originated from Mitchell's practice of warming up for gigs with Tim Berne's Snakeoil by running through a series of etudes he had written to warm up his pianistic muscles. Smith, a colleague in the band, began to play along and the ...
read moreMichael Formanek Elusion Quartet: As Things Do
by Troy Dostert
The Elusion Quartet has become one of bassist Michael Formanek's more formidable ensembles, even if it is a more recent project than his long- standing work with Tomas Fujiwara and Mary Halvorson in Thumbscrew, or the many recordings he has made with prominent saxophonists ranging from Tim Berne to Marty Ehrlich and Ellery Eskelin. Although As Things Do is only the second release by the group, it is a superb album in every respect and a strong contender for year-end ...
read moreAlex Weiss: Most Don't Have Enough
by Robert Middleton
This album is really special. It doesn't sound like anything else and every song is engaging and interesting. The titles of the songs are also fascinating. Even the collage cover is great and seems to reflect the music. Tenor saxophonist Alex Weiss started writing Most Don't Have Enough during the pandemic and went deep into writing and practicing. Much of the inspiration came from Chris Speed, as Weiss is a big fan of his writing and his tone. ...
read moreTrevor Dunn's Trio-Convulsant avec folie à quatre: Séances
by Vic Albani
Nel peculiare universo del jazz obliquo" contemporaneo il bassista Trevor Dunn, ben conosciuto a chi approda spesso sulle spiagge del signor John Zorn, esiste da sempre un ben conosciuto e mai ben definito mondo di ricerca complessa e collegata ai mille meandri della mente umana. Racconta dunque Dunn che nella Francia del XVIII secolo esisteva una setta di cristiani, considerata eretica dai compagni servi di Dio, chiamata i Convulsionari di Saint-Médard. Dopo la morte di un amato diacono, ...
read moreErik Friedlander: A Queens' Firefly
by Vincenzo Roggero
Il violoncello di Erik Friedlander, dolcissimo, introduce la melodia, poi gradualmente le altre voci si aggiungono con delicatezza, quasi con circospezione a dar forma a una ballad sognante. È la title track, il brano che apre il disco e sembrerebbe marcare in qualche modo il terreno, garantire coordinate di viaggio sicure. Succede invece che già la successiva «Match Strikes» sembra perdere il segnale e scombinare traiettorie, con il pizzicato e le svisate del violoncello, le leggere dissonanze ...
read moreTrevor Dunn: Séances
by Mike Jurkovic
Holy bank shot Batman! Is Seances, (bassist Trevor Dunn's dissertation on the how humans tend to forget and repeat, ever a radical and electrifying take on things. Anything and everything goes the distance for Dunn and the combined mad genius of his Trio-Covulsant cronies, wickedly cool guitarist Mary Halvorson and the chaotic meter of drummer Ches Smith. It has been eighteen turbulent years since this threesome last convened for the opaquely conversant Sister Phantom Owl Fish (Ipecac, 2004) ...
read moreTrevor Dunn's Trio-Convulsant avec Folie À Quatre: Séances
by Mark Corroto
If you thought the Hang Mike Pence and Three Percenters crowd are just a phenomenon of the 21st century, let me introduce you to the Convulsionnaires of Saint-Médard, an 18th century Christian sect with the hysterical practices of coprophagia (yes, eating feces), spontaneous milk-vomiting and levitation. After the established religious authorities cracked down on the Convulsionnaires, many were sent to mental asylums, but others continued with less public séances or 'sessions.' Composer and bassist Trevor Dunn unearths this ...
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