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Jazz Articles about Charles Pillow


About Charles Pillow

6

Album Review

Triocity: I Believe In You

Read "I Believe In You" reviewed by Dan Bilawsky


Here's a formula we've all seen before: take three musicians and let them loose on a program of standards and Great American Songbook chestnuts. It sounds all too simple and pedestrian, right? Guess again. When you're talking about the combined creative forces of multi-reedist Charles Pillow, bassist Jeff Campbell, and drummer Rich Thompson, the potential of said endeavor changes drastically. The whole is most certainly greater than the sum of its parts when those musicians come together as Triocity, and ...

336

Album Review

Charles Pillow: Van Gogh Letters

Read "Van Gogh Letters" reviewed by Victor L. Schermer


Those who like Debussy's Nocturnes will love what this trio does on the crossover Van Gogh Letters. Three master musicians venture into saxophonist Charles Pillow's softly articulated, impressionistic/minimalist tone poems. Inspired by Letters of Vincent Van Gogh, Pillow translates the great artist's phrases and sentences into painterly sounds evocative of a quieter, less-pressured epoch. The trio embarks on a journey through the varied places and moods that the gentle, saintly, and troubled Van Gogh saw and painted with intense beauty ...

731

Interview

Charles Pillow: Sound Crafter

Read "Charles Pillow: Sound Crafter" reviewed by Victor L. Schermer


Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional.He has worked with groups, vocalists, and leaders as varied as Dave Liebman, Michael Brecker, Jay Z, Broadway pit orchestras, Mariah Carey and ...

212

Album Review

Mike Holober & The Gotham Jazz Orchestra: Quake

Read "Quake" reviewed by Elliott Simon


Duke Ellington's legacy is alive and well with pianist Mike Holober and The Gotham Jazz Orchestra. Holober makes use of the increased musical scope that 17 pieces give him to weave compositional strength within a sound that sways more than swings. Some of the finest jazzers New York City has to offer join Holober for this session. Their individual talents are certainly showcased but the strength of this release is how Holober fits them all together to ...

539

Extended Analysis

Charles Pillow: Part 3 - The Planets

Read "Charles Pillow: Part 3 - The Planets" reviewed by Victor L. Schermer


Part 1 | Part 2 | Part 3 Charles Pillow The PlanetsArtistShare2007 This review follows Charles Pillow: Part 1--Crossing the Divide between Jazz and Classical Repertoire, an introduction to the work of the reed player and composer, and Charles Pillow: Part 2--Pictures At An Exhibition (ArtistShare, 2005), a review of another Pillow disc. Gustav Mahler said that a symphony should form a universe. If not ...

634

Extended Analysis

Charles Pillow: Part 2 - Pictures at an Exhibition

Read "Charles Pillow: Part 2 - Pictures at an Exhibition" reviewed by Victor L. Schermer


Part 1 | Part 2 | Part 3 Charles PillowPictures At An ExhibitionArtistShare2005 This review follows Charles Pillow: Part 1--Crossing the Divide between Jazz and Classical Repertoire, introducing the reed player and composer's work, and is followed by Charles Pillow: Part 3--The Planets a review of a second Pillow disc, The Planets (Artist Share, 2007). Pictures at an Exhibition, made in 2003 but not released until two years later, ...

526

Extended Analysis

Charles Pillow: Part 1 - Crossing the Divide between Jazz and Classical Repertoire

Read "Charles Pillow: Part 1 - Crossing the Divide between Jazz and Classical Repertoire" reviewed by Victor L. Schermer


Part 1 | Part 2 | Part 3 While jazz began as a form of entertainment, it has evolved into a more serious musical genre. Its multiple roots in gospel, blues, popular, folk, Caribbean, African, and other world musics give it a complexity and richness tailor-made for extended musical explorations and through-composing. In addition, jazz musicians have made use of the music of Debussy, Stravinsky, Milhaud, Bartok and other classical composers as they search for new ways to ...


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