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Jazz Articles about Charles Lloyd

196
Album Review

Charles Lloyd: The Water Is Wide

Read "The Water Is Wide" reviewed by Glenn Astarita


Tenor saxophonist Charles Lloyd pursues a slightly different angle on his new and seventh “ECM” release titled, The Water Is Wide. Lloyd continues to utilize the exemplary talents of drummer Billy Higgins and guitarist John Abercrombie, who both performed on the artist’s previous effort, Voice In The Night. While the saxophonist also enlists young wunderkind pianist Brad Mehldau and bassist Larry Grenadier who comprise two thirds of the pianist’s working trio.

Perhaps Lloyd is plotting a new course in contrast ...

156
Album Review

Charles Lloyd: The Water Is Wide

Read "The Water Is Wide" reviewed by David Adler


Not much could have gone wrong with this disc. Lloyd, one of jazz’s most distinctive tenor stylists, kept Billy Higgins and John Abercrombie on board from last year’s Voice In the Night, adding Brad Mehldau on piano and Larry Grenadier on bass. Abercrombie, however, only appears on four of the 12 tracks. Most of the session belongs to Mehldau, frankly. His duets with Lloyd on “Ballade and Allegro" and “The Monk and the Mermaid" feature some of his most sensitive ...

235
Album Review

Charles Lloyd: The Water Is Wide

Read "The Water Is Wide" reviewed by Glenn Astarita


Tenor saxophonist Charles Lloyd pursues a slightly different angle on his new and seventh “ECM” release titled, The Water Is Wide. Lloyd continues to utilize the exemplary talents of drummer Billy Higgins and guitarist John Abercrombie, who both performed on the artist’s previous effort, Voice In The Night. While the saxophonist also enlists young wunderkind pianist Brad Mehldau and bassist Larry Grenadier who comprise two thirds of the pianist’s working trio.

Perhaps Lloyd is plotting a new course in contrast ...

222
Album Review

Charles Lloyd: Just Before Sunrise

Read "Just Before Sunrise" reviewed by Paula Edelstein


Just Before Sunrise is classic Charles Lloyd reissued in a series produced by Joel Dorn for The Masked Announcer. For those of you that love and remember the original 1966 recordings of DREAM WEAVER and LOVE-IN, this box set is a burning reminder of the afterglow left by Lloyd’s great flute and tenor sax playing. The debut of the Dream Weaver quartet -- Lloyd doubling on flute and tenor sax, Keith Jarrett on piano, Cecil McBee on bass and Jack ...

209
Album Review

Charles Lloyd: Voice in the Night

Read "Voice in the Night" reviewed by Larry Koenigsberg


Although Voice in the Night marks Charles Lloyd's return after over three decades to recording with guitar rather than piano as the chordal instrument, the most notable feature of his new CD is his return to form, as opposed to merely a return to format. He sounds the best he has since he left his Big Sur retreat to perform and record for ECM with Michel Petrucciani and Bobo Stenson. Indeed, the whole band sounds on, in this sequence of ...

189
Album Review

Charles Lloyd: Just Before Sunrise

Read "Just Before Sunrise" reviewed by Jim Santella


The reissue of two mid-1960’s Charles Lloyd Quartet Atlantic albums comprises this 90-minute 2-CD set from 32 Jazz. Offering leading-edge hard bop fire with spotlights on all four members of his quartets, Lloyd traveled around the world to spread this message. In the past few years, Joel Dorn’s 32 Records has reissued a wide selection of work by significant jazz artists including Woody Shaw, Eddie Harris, Etta Jones, Donald Byrd, Roland Kirk, Yusef Lateef, Mark Murphy and Groove Holmes. Their ...

158
Album Review

Charles Lloyd: Just Before Sunrise

Read "Just Before Sunrise" reviewed by Douglas Payne


After memorable time spent with Chico Hamilton and Cannonball Adderley's influential bands, reedman Charles Lloyd launched a solo career with several top-notch records on Columbia in 1964. But it wasn't until moving to Atlantic Records in 1966 and the formation of this defining quartet that the talented Coltrane disciple earned his own place in jazz - and a remarkable degree of fame too.By this time, Lloyd's tone on tenor had become readily identifiable and his (still) ...


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