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Jazz Articles about Chad Taylor

420
Album Review

Chad Taylor: Circle Down

Read "Circle Down" reviewed by Troy Collins


In-demand indie rock session player (Sam Prekop, Iron and Wine) and co-founder of the Chicago Underground with Rob Mazurek, drummer Chad Taylor has quickly become an indispensable part of the New York scene since his relocation from Chicago in 2000. His recurrent collaborations with Cooper-Moore, Jemeel Moondoc, and Marc Ribot feature his talents in a wide variety of settings, but none quite as dynamic as the ensemble documented on Circle Down, the debut of his trio with pianist Angelica Sanchez ...

426
Album Review

Chad Taylor: Circle Down

Read "Circle Down" reviewed by Mark F. Turner


With an insatiable appetite for music on the fringe, drummer Chad Taylor has been an active participant in the creative music environments of both Chicago and New York. In Chicago, he's been a member of Fred Anderson's trio, Sticks and Stones with Matana Roberts, and the Chicago Underground ensembles with Rob Mazurek. In New York, he's performed with Digital Primitives, known for its visceral abstract funk, as well as with Marc Ribot's Spiritual Unity. Taylor, who was ...

211
Album Review

Tom Abbs & Frequency Response: Lost & Found

Read "Lost & Found" reviewed by Jerry D'Souza


Tom Abbs is a multi-instrumentalist who, besides violin and didgeridoo, plays bass, tuba and cello on this CD. He has enlivened the free jazz scene in New York, not only through his collaborations with Cooper-Moore and Steve Swell among others, but with his music as well. He thinks with a vivid imagination and as such injects his compositions with melody, free falling notes, jazz harmony and a picturesque development. The last may well spring from his role as film-maker.

379
Album Review

Tom Abbs: Lost & Found

Read "Lost & Found" reviewed by Raul d'Gama Rose


It is possible to respond to Tom Abbs & Frequency Response's Lost & Found with eyes wide shut, ears completely unlocked and a body ready to leap up and dance to some of its eighteen randomly arranged musical fragments. There is a cerebral angle here, most likely deliberate on the part of the artist. It has to do with the arrangement of the fragments--the songs, that is. Some are inspired by visual images and intended to sound like aural depictions ...


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