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Cedar Walton: Underground Memoirs
by John Kelman
The strength of any great musical interpreter is his or her ability to see the truth at the core of any great tune. This capability to assess the inner beauty of a memorable tune, regardless of context, can sometimes turn an inspired player into an equally noteworthy composer. That's the case with pianist Cedar Walton, who, now in his early '70s, contributed a number of well-known pieces to the late drummer Art Blakey's Jazz Messengers songbook of the early '60s, ...
Continue ReadingFreddie Hubbard: Hub Cap (RVG Edition)
by Robert Gilbert
As was customary with Blue Note releases during the 1950s and '60s, the names of the musicians performing on Hub Cap are listed on the album’s front cover. The name of Freddie Hubbard, the leader, is--not surprisingly--most prominent. However, the factor that elevates Hub Cap a notch above similarly styled LPs released at the time is the fifth name listed under Hubbard’s: drummer “Philly” Joe Jones.Within a minute of the opening title song, Jones has made his presence ...
Continue ReadingCedar Walton: Latin Tinge
by Terrell Kent Holmes
Cedar Walton's latest release, Latin Tinge, is a middle-of-the-road assemblage of tunes in a trio setting. Walton, an accomplished and masterful pianist, is joined by bassist Cucho Martinez and percussionist Ray Mantilla, both experienced and talented veterans. The songs, however, follow the same structure and scheme, and it's this lack of variation that disappoints.
Latin Tinge ’s lineup includes timeless standards and three Walton originals. Each piece has basically the same set-up: intro, theme, solo by Walton, repeat of intro, ...
Continue ReadingFreddie Hubbard: Hub Cap (RVG Edition)
by Richton Guy Thomas
Freddie Hubbard brought a beautiful tone and an instinct for swing to Hub Cap. This record came out in 1961, three years before Eric Dolphy's Out To Lunch and four years before Herbie Hancock's Maiden Voyage : two significant titles in the library of America's improvised music which feature a consequential role by Hubbard.Freddie Hubbard leads a particularly talented sextet on this reissue. Four of the six compositions are Hubbard originals; two numbers were composed by Cedar Walton, ...
Continue ReadingHank Mobley: Thinking of Home
by Richton Guy Thomas
The great jazz critic Leonard Feather once described Hank Mobley as the middleweight champion of the tenor saxophone. Not a name that the novice jazz fan may recognize, Hank Mobley recorded over twenty LPs for Blue Note. Thinking of Home is his last title for Blue Note; released in 1970, this is a fitting farewell session. It features the powerful trumpet playing of Woody Shaw and the exciting pianist Cedar Walton. Hank Mobley's playing has a fire that ...
Continue ReadingHank Mobley: Thinking of Home
by Robert Gilbert
Hank Mobley’s conclusion to his long and storied association with Blue Note Records has finally made it to CD through the label’s Connoisseur series. Thinking of Home, which was recorded on the last day of July in 1970 but not made available until ten years later, shows that the tenor saxophonist was still building on his trademark hard-bop style. A three-part suite that opens the album features Mobley dabbling with long-form composition and “Justine” has him providing a stimulating framework ...
Continue ReadingCedar Walton Trio featuring Dale Barlow: Manhattan After Hours
by Charlie B. Dahan
Cool enough to play at your dinner party, yet hot enough for a serious listen, The Cedar Walton’s Trio releases “Manhattan After Dark” featuring Dale Barlow. Walton is among the elite of jazz history. He has appeared on such legendary recordings as John Coltrane’s “Giant Steps’ and several others by Art Blakey (whose band, The Jazz Messengers, he joined in 1961), Dexter Gordon, Ornette Coleman, Lee Morgan, Freddie Hubbard and many, many others. True ...
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