Home » Jazz Articles » Brian Lynch
Jazz Articles about Brian Lynch
About Brian Lynch
Brian Lynch: Songbook Vol. 1: Bus Stop Serenade
by Angelo Leonardi
Con Bus Stop Serenade Brian Lynch inaugura una serie di album che raccolgono il suo intero songbook, scritto in quarant'anni di carriera e disseminato in numerose incisioni. Da alcuni anni il trombettista ha varato una propria etichetta (la Hollistic MusicWorks) e iniziato a reinterpretare le sue vecchie composizioni: Ho sentito che avrebbero beneficiato di un po' d'attenzione sotto forma di nuove versioniha dettopresentate ad ascoltatori contemporanei, che potrebbero non conoscere il mio lavoro precedente. Sono poi diventato un po' testardo ...
Continue Reading...South Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza
by Jack Bowers
In 2019, the acclaimed Michigan-bred, Paris-based tenor saxophonist Rick Margitza thought he was being asked to contribute a couple of charts to the University of South Florida Jazz Orchestra's fifth recording in its fifteen-year history as a working ensemble. But when SFJO founder and leader Chuck Bergeron looked at the charts he had an even better idea, and asked Margitza to write and / or arrange everything on the album, which thus became Cheap Thrills: The Music of Rick Margitza. ...
Continue Reading...South Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza
by Pierre Giroux
The concept of a large, tightly-knit big band in a recording studio, on a concert or jazz club stage may just be a plug-in memory in today's environment. Fortunately there is the fifteenth anniversary recording of The South Florida Jazz Orchestra directed by bassist/bandleader Chuck Bergeron, entitled Cheap Thrills: The Music Of Rick Margitza, to remind us what a disciplined inventive big band sounds like. With the exception of George and Ira Gershwin's Embraceable You," all the other ...
Continue Reading...Susie Meissner: I'll Remember April
by C. Michael Bailey
Philadelphia-based vocalist Susie Meissner has been surveying the Great American Songbook for the past decade and some. Her approach is uncomplicated, using simple head arrangements, presenting the songs that made Tin Pan Alley noteworthy in a straightforward and authentic fashion, and recalling the original intentions of the composers. Hers is an archival and entertainment endeavor not unlike Linda Ronstadt's swing with Nelson Riddle, which resulted in What's New (Asylum, 1983), Lush Life (Asylum, 1984), and For Sentimental Reasons (Asylum, 1986), ...
Continue Reading...Ralph Peterson & the Messenger Legacy: Onward & Upward
by Paul Rauch
Generally speaking, legacy bands are created to preserve the music of an artist. They feature innovative interpretations of an artist's compositions or past performances to share with future generations of listeners. In the case of drummer Ralph Peterson, his ambitious efforts to honor the continuum of his mentor Art Blakey are forward thinking, about a collective gathering of resources that stress creative thought and individuality. Just as the true legacy of the Jazz Messengers portends, contributors are charged with replenishing ...
Continue Reading...Brian Lynch Big Band: The Omni-American Book Club / My Journey Through Literature in Music
by Jack Bowers
Aside from being a multi-award-winning trumpeter and composer, Brian Lynch appears to be an avid reader and social arbiter as well. His twenty-third album as leader, a two-CD set whose protracted and austere name, The Omni-American Book Club / My Journey Through Literature in Music, belies its bold and free-hearted nature, is dedicated to a number of writers, most in the realms of equity and civil rights, who have quickened Lynch's inquiring mind and shaped his bright and perceptive music. ...
Continue Reading...Roberto Magris Sextet: Live in Miami @ the WDNA Jazz Gallery
by Jerome Wilson
Roberto Magris is an Italian pianist who has an eclectic range of interests but is heavily in thrall to the masters of American bebop. On this particular live recording he leads a sextet that gives that language a pronounced Latin twist leading to a set of fiery performances. Magris uses two horn players, trumpeter Brian Lynch and tenor saxophonist Jonathan Gomez, who are explosive throughout, especially on the tunes that have an underlying Latin flavor such as African ...
Continue Reading...

