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Socrates Garcia Latin Jazz Orchestra: Shadows of Tomorrow
by Jack Bowers
Do not let the word “Latin" in front of the Socrates Garcia Jazz Orchestra's name sway you. Shadows of Tomorrow is bright and spirited contemporary jazz albeit with a southerly twist. The salute to Latin America is for the most part rhythmic; everything else leans resolutely toward el norte, and the orchestra (which is actually based in Colorado, where Garcia teaches at the University of Northern Colorado) lends its considerable weight and savvy to every one of the leader's half-dozen ...
Continue ReadingBrad Goode: Polytonal Big Band: The Snake Charmer
by Jack Bowers
"Polytonal," according to Webster's, denotes “the simultaneous use of two or more musical keys." Denver-based trumpeter and educator Brad Goode makes full use of that technique on The Snake Charmer, the debut recording by Goode's well-named Polytonal Big Band. When all has been written and played, two things are clear: first, Goode is a world-class big-band composer-arranger and master of his horn; and second, polytonality is simply a fresh approach to the music, one that in no way interferes with ...
Continue ReadingDavid Caffey Jazz Orchestra: At the Edge of Spring
by Jack Bowers
With his album, At the Edge of Spring, composer and arranger David Caffey and his Colorado-based Jazz Orchestra not only defy the widely-held belief that big bands are dead, they emphatically blow that axium out of the water. This is an ensemble with no discernible weaknesses, as proficient and powerful as any that have come before it or are likely to follow. To verify that impression, you need only couple your ears with an open mind. As ...
Continue ReadingBrad Goode: Polytonal Big Band: The Snake Charmer
by Neil Tesser
I try to avoid hyperbole. I'm not all that comfortable out on a limb. But I'll still wager you've never come across a big-band album like this. Perhaps you've heard orchestras that use dissonance and unexpected note clusters as their operating system. Maybe you've encountered soloists who ply their playing with extended technique and postmodern pastiche, vividly escaping the gravitational pull of conventional composition. But I can't think of an album that combines these elements with the electric ...
Continue ReadingKent Engelhardt & Stephen Enos: Madd For Tadd
by Jack Bowers
The masterworks on this second edition of Madd for Tadd are presented on two discs, one of which bears the name of one of composer/pianist Tadd Dameron's classic themes, “Our Delight." Oddly, the other is named for the only non-Dameronian item on the menu, “Central Avenue Swing," written by saxophonist and Dameron chronicler Kent Engelhardt who adapted the composer's tasteful charts for a big band and co-leads the ensemble with trumpeter Steve Enos. Although he is most ...
Continue ReadingTed Piltzecker: Vibes on a Breath
by Jack Bowers
Even though Ted Piltzecker is a splendid vibraphonist and ushers a group of Colorado's leading jazz musicians through its paces on Vibes on a Breath, it is his sparkling arrangements that carry the day on this delightful new album. Several members of Piltzecker's septet double, and he makes the most of that versatility, writing charts that bring to the fore John Gunther's bass clarinet, Wil Swindler's baritone sax and (on the closing number) Judith Leclair's bassoon and Javier Diaz's percussion. ...
Continue ReadingBrad Goode: The Unknown
by Dan McClenaghan
One of the joys attached to reviewing music is the exposure to artists who otherwise might not show up on the radar. For every Pat Metheny there are a hundred highly-creative, lower-profile, hugely-talented guitarists plucking the strings; for every Brad Mehldau plying the trade ten dozen marvelous, relatively unknown pianists show up in the mailbox or the downloads. And for every Ralph Alessi out there blowing their horns, you will--with just a bit of digging--encounter scores of trumpeters riding below ...
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