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Jazz Articles about Bobby Previte


About Bobby Previte

9

Album Review

Bobby Previte: Mass

Read "Mass" reviewed by C. Michael Bailey

by C. Michael Bailey

Finally, I understand Black Sabbath and it is about damn time. Musically, my preferences tend toward the durable and dependable blues pentatonic. That is something that, harmonically, I can understand from down in my DNA. That said, when I was a teenager, I wore into nothing, the first four Black Sabbath recordings. As much as they appealed to me, they could not compete with the Allman Brothers Band of the same period. What I had always wondered was where the ...

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16

Live From New York

Red Hook Jazz Festival 2016

Read "Red Hook Jazz Festival 2016" reviewed by Martin Longley

by Martin Longley

Red Hook Jazz Festival 2016 Urban Meadow Community Garden Red Hook, Brooklyn June 12 & 19, 2016 This ninth edition of the Red Hook Jazz Festival appeared to draw its biggest crowd yet. Not that it's a large- capacity event, but perhaps a setting close to the water's edge at Red Hook makes it seem psychologically inaccessible to the lazy New Yorker, involving an actual 15 minute amble from the closest subway ...

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Album Review

Bobby Previte - Beppe Scardino - Francesco Diodati: Plutino

Read "Plutino" reviewed by AAJ Italy Staff

by AAJ Italy Staff

La grafica di copertina con l'immagine di tre alieni/musicisti che gettano il loro sguardo severo e attonito sulle cose del nostro mondo è un buon viatico all'ascolto del CD che vi ritrovate tra le mani. I tre visitatori dallo spazio rispondono al nome di Bobby Previte, nella funzione di gran cerimoniere e capo delegazione, di Beppe Scardino e Francesco Diodati, in quella di emissari prescelti. Prestare attenzione alle loro istanze, fidarsi delle loro buone intenzioni è il lasciapassare per un ...

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262

Album Review

Bobby Previte & The New Bump: Set the Alarm for Monday

Read "Set the Alarm for Monday" reviewed by Sean Patrick Fitzell

by Sean Patrick Fitzell

A mysterious dame with gams to the ceiling walks in. Shifty characters with trench coats and perilously dangling cigarettes move among the shadows. A mickey is slipped, the double-cross completed. A tenor sax moans amid shimmering vibraphone, a spare bass line and imploring drums. Drummer Bobby Previte's Set the Alarm for Monday may not be the soundtrack to a classic film noir, though he and The New Bump evocatively conjure those moods. No stranger to the genre, ...

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307

Album Review

Bobby Previte and the New Bump: Set The Alarm For Monday

Read "Set The Alarm For Monday" reviewed by Troy Collins

by Troy Collins

A seminal figure in the Downtown New York scene, drummer and composer Bobby Previte resurrected his Bump the Renaissance ensemble for the cinematic Set The Alarm For Monday. Previte's venerable acoustic group has featured a rotating roster of talent over the years, including Ray Anderson, Curtis Fowlkes, Wayne Horvitz, Lenny Picket, Steve Swallow and Tom Varner. Ellery Eskelin (tenor saxophone), Bill Ware (vibes) and Brad Jones (bass) form the current incarnation, with special guests Steven Bernstein (trumpet) and Jim Pugliese ...

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302

Multiple Reviews

Bobby Previte: Verge: Pull To Open/Bump the Renaissance & April in New York

Read "Bobby Previte: Verge: Pull To Open/Bump the Renaissance & April in New York" reviewed by Christopher Shoe

by Christopher Shoe

Bobby Previte Verge: Pull To Open/Bump the Renaissance Zoar/Sound Aspects -- Nothing on Television is True 2007 Bobby Previte April in New York Nothing on Television is True 2007

A great many things come to mind when asked to describe drummer Bobby Previte: adventurous and original, creative and bold, authentic and edgy, always ...

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402

Album Review

Swami LatePlate (Jamie Saft and Bobby Previte): Doom Jazz

Read "Doom Jazz" reviewed by Kurt Gottschalk

by Kurt Gottschalk

Although Jamie Saft is best known as a jazz pianist, especially for his work with various Masada projects, he's a rocker at heart who lists ZZ Top among his favorite bands. Swami LatePlate--his duo with drummer Bobby Previte--seeks to a degree to cross the divide. In one sense a piano trio, with Saft doubling on electric bass, the project borrows as much from heavy rock sensibilities. Their debut album and the first on Saft's new label Veal, falls closer to ...

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