Jazz Articles about Bob Sheppard

Bob Sheppard: The Clark Kent of Jazz

by Jim Worsley
October 31, 2019

An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician and composer, Sheppard has long been revered by his peers. In addition to his own music, he has long been a first-call studio musician ...

Horace Silver, Herbie Hancock and More

by Joe Dimino
August 25, 2019

This week we start with a cat that has seen many jazz roads and is itching to get down many more, Bob Sheppard with a track off his latest CD The Fine Line. We then visit the world of Horace Silver and vibes cat Mike Dillon doing an Elliot Smith cover. We hear new material from drummer Dave Robbins and visit the music of Kansas City saxophonist Herschel McWilliams. From there, we hear Jack Sels, Milt Herth, Sheldon Pickering and ...

Bob Sheppard: The Fine Line

by Roger Farbey
July 4, 2019

Ironically, probably the only reason that Bob Sheppard isn't a household name (other than in jazz households) is because he's such an in-demand sideman. Splitting his time between Los Angeles, and New York he also teaches jazz at The University of Southern California Thornton School of Music. But he's worked, amongst many others, with such jazz luminaries as Chick Corea, Herbie Hancock, Peter Erskine and from the popular music world, Joni Mitchell, Steely Dan and Stevie Wonder. This also explains ...

Cathy Segal-Garcia: The Jazz Chamber

by Jerome Wilson
November 2, 2018

On this album, Cathy Segal-Garcia, a vocalist and educator on the Los Angeles jazz scene, comes up with something special, working with a chamber orchestra and a group of jazz musicians to produce a wide-ranging program that veers from lush romanticism to complex jazz-funk. On much of the disc, Segal-Garcia's thick, classically formal voice, combined with a full string section, presents a lilting hybrid of jazz and light classical music. On first hearing it sounds a bit too ...

Dave Slonaker Big Band: Intrada

by Jack Bowers
March 28, 2014

Don't be put off by the name. Intrada, composer / arranger Dave Slonaker points out, is “a musical form often composed as a prelude, overture or fanfare," one whose upbeat phrases give rise to an exhilarating curtain-raiser on Slonaker's initial big-band recording. Rest assured this is a world-class ensemble and there's no doubt whose steady hand is at the helm: Slonaker wrote every number save the standard “It's Only a Paper Moon" and arranged the complete package. ...

Mike Clark: Summertime

by Riel Lazarus
May 5, 2003

It's safe to say that drummer Mike Clark is most commonly associated with funk. Since his days as a member of Herbie Hancock's legendary Headhunters, Clark has been considered one of the foremost trapsmen of the genre. But funk is only a small part of what this veteran artist is capable of, and Summertime may finally spell the end to this unfortunate pigeonholing. As evidenced by his appearance last month at the Blue Note, Clark is every ...

Mike Clark: Summertime

by Jim Santella
March 3, 2003

Pianist Billy Childs and drummer Mike Clark make a great rhythm team. Their modern mainstream journey through new originals and familiar favorites swings with a surging intensity that’s stirred gently – not shaken. It’s your daddy’s music in a new picture frame.

”Summertime,” a personal favorite, is treated to a harmonic makeover. Using darkness and mystery, a quintet with Clark, Childs, Chris Potter, Jack Walrath and James Genus presents this gem as it’s never been shown before. ...