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Jazz Articles about Bill O'Connell
Santi Debriano: Flash of the Spirit
by Paul Rauch
Bassist/composer Santi Debriano has been prominently on the scene since the late seventies, when he worked for several years with saxophonist Archie Shepp. Born in Panama, and raised in Brooklyn from a very young age, his life was integrated with the many crosscurrents of jazz music in the Americas. He worked prominently with Sam Rivers in Paris for a few years, before heading back to New York to perform with the likes of Pharoah Sanders, Sonny Fortune, Larry Coryell, Freddie ...
Continue ReadingConrad Herwig: The Latin Side of Horace Silver
by Jack Bowers
New York-based trombonist Conrad Herwig began exploring the “Latin side" of various jazz musicians in 1996, with The Latin Side of John Coltrane, which earned him the first of four Latin Grammy Award nominations. Since then, Herwig has done the same for Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson and, now, pianist Horace Silver. The formula is trim and solid; choose several of an artist's more notable compositions and recast them in a rhythmic Latin framework. For The Latin ...
Continue ReadingRobby Ameen: Diluvio
by Jack Bowers
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's “Line for Lyons" and John Coltrane's “Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of mind. To lend color and variety, Ameen employs a ...
Continue ReadingRobby Ameen: Diluvio
by Dan Bilawsky
Perhaps it's a flood of rhythm that the title and cover art refer to on this third leader outing from drumming dynamo Robby Ameen. A heavy hitter in Afro-Cuban circles for decades, Ameen's frangible linear Latin funk workouts, intricate rhythmic roadmapping, song-serving chops and good taste have earned him an overwhelmingly positive reputation. Everybody from musical polymath Ruben Blades to flutist Dave Valentin and pianist Eddie Palmieri to trombonist Conrad Herwig has called on Ameen multiple times over the years, ...
Continue ReadingAndrea Brachfeld: Brazilian Whispers
by Dan Bilawsky
While Brazilian Whispers marks Andrea Brachfeld's first thorough exploration of the titular stream of sound, you'd never know it from the results. Teaming up with Bill O'Connell, her longtime pianist and sounding board, the veteran flutist, who's typically engaged in Afro-Cuban affairs or straight ahead suggestions, sounds like she's been playing this music all her life. Rather than spread focus across a massive realm of Brazilian territory, Brachfeld homes in on the music of one of the ...
Continue ReadingBill O'Connell and The Afro Caribbean Ensemble: Wind Off The Hudson
by Dan Bilawsky
Bill O'Connell has had plenty to say with his piano in recent times, basically knocking out a session a year for the Savant imprint. And with an exploration within the solo format, a trip with an augmented trio, and ventures promoting a medium-sized conglomerate of heavy-hitters, he's certainly traversed quite an expanse there. But, as Wind Off The Hudson clearly shows, he's still got room grow. The Afro Caribbean Ensemble--his largest on-record gathering of late, and a ...
Continue ReadingBill O'Connell: Jazz Latin
by Angelo Leonardi
I tre protagonisti del disco--il pianista Bill O'Connell, il bassista Lincoln Goines e il batterista Robby Ameen--sono stati a lungo partner del flautista Dave Valentin, scomparso nel marzo 2017 a cui hanno già dedicato tributi. Sono musicisti di valore che si conoscono bene e ribadiscono un'appartenenza stilistica influenzata dalle musiche latine ma prettamente jazzistica. Il taglio espressivo è chiaro sin dal titolo del disco e viene rinforzato da rilevanti ospiti, i più noti dei quali sono il trombettista Randy Brecker, ...
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