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Jazz Articles about Barry Altschul

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Album Review

Barry Altschul: The 3dom Factor

Read "The 3dom Factor" reviewed by Glenn Astarita


Approaching five decades of residing in the cutting-edge of modern jazz development, drummer Barry Altschul's influence and legacy as a drummer is rather legendary. Performing on groundbreaking albums with Chick Corea, Anthony Braxton, Dave Holland and many others too numerous in scope to cite, the artist surges onward through the inner-workings of this flexible and dynamic trio. Otherwise, young sax hero Jon Irabagon demonstrates maturity beyond his youth, as eminent bassist Joe Fonda rounds out the trio with a director ...

Album Review

Barry Altschul: The 3dom Factor

Read "The 3dom Factor" reviewed by AAJ Italy Staff


Per chi ha nel cuore le traiettorie più avventurose del jazz degli anni Sessanta e Settanta, quello del batterista Barry Altschul è un nome imprescindibile. Strumentista tra i più sensibili e versatili della sua generazione, ha vissuto in prima persona alcuni del momenti cruciali del jazz post-coltraniano, nel trio di Chick Corea che sarebbe evoluto nei Circle o accanto a Sam Rivers, con Paul Bley e in capolavori del periodo come Conference of the Birds di Dave Holland o Coon ...

2
Album Review

Barry Altschul: The 3dom Factor

Read "The 3dom Factor" reviewed by Eyal Hareuveni


Legendary drummer Barry Altschul, known for his historic collaborations with innovative and influential musicians as Paul Bley, Anthony Braxton and Sam Rivers, knows much about the concept of freedom in music. To be free, as he states in the liner notes, one needs choices and a large vocabulary of musical choices. Atlschul has plenty of choices. He is associated with the avant-garde terrains of jazz but his own compositions maintain a deep love to bop structure and harmonic movement. He ...

2
Album Review

Barry Altschul: The 3dom Factor

Read "The 3dom Factor" reviewed by Troy Collins


Drummer Barry Altschul is widely revered for his innovative work during the 1970s with the all-star quartet Circle and as a member of the influential trios of pianist Paul Bley and multi-instrumentalist Sam Rivers. Despite his avant-garde credentials, Altschul's purview also included sideman work with traditional jazz artists, including saxophonists Sonny Criss, Lee Konitz and Art Pepper.Revealing his fondness for all facets of the jazz continuum, Altschul led his own diverse groups in the succeeding decades, first documented ...

2
Album Review

Barry Altschul: The 3dom

Read "The 3dom" reviewed by Mark Corroto


Seems of late, Mr Simon, Mr Garfunkel and the nation have been singing “Coo, coo, ca- choo, Mrs. Robinson" not for Joe DiMaggio or the deceased Ann Bancroft, but for drummer Barry Altschul. Somehow, in the 1980s and '90s we misplaced him. Actually, he moved to Europe, recording for smaller labels before he quietly returned to the US. Not that the famed drummer from the 1960s bands of pianist Paul Bley and saxophonist Sam Rivers, or '70s work with Circle, ...

1,210
Interview

Barry Altschul: Another Time, Another Place

Read "Barry Altschul: Another Time, Another Place" reviewed by Clifford Allen


Born in the Bronx on January 6, 1943, drummer Barry Altschul was quickly ensconced in the hard bop scene of the late 1950s, but it was a gig with pianist Paul Bley's trio that put him among the ranks in New York's burgeoning free-jazz scene of the next decade, one which resulted in tours of Europe and a slew of recordings with Bley. Altschul also worked regularly with staunchly avant-garde reedmen Anthony Braxton and Sam Rivers throughout the 1970s, though ...

264
Album Review

Paul Bley: Circles

Read "Circles" reviewed by AAJ Staff


Paul Bley's 1970 Synthesizer Show and 1972's Paul Bley and Scorpio are reissued jointly as Circles. Except for “Mr. Joy" from Synthesizer Show, all of the songs from these unconventional albums are presented here, featuring Bley's electronic experiments of the day. While the first half of the compilation sounds slightly dated at times, even humorous to modern ears, the second half is a better gauge of the unique advancements made by Bley in the '70s. No doubt, Bley was ahead ...


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