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Jazz Articles about Aruán Ortiz
Winged Serpents: Six Encomiums for Cecil Taylor
by Karl Ackermann
The link between the late Cecil Taylor and the members of the Winged Serpents collective is one driven by admiration and inspiration, from a distance, rather than through collaboration. Taylor, in fact, had only shared billing twice in his half-century of recording. The Mary Lou Williams duet Embraced (Pablo, 1977) and Max Roach's 1979 recording of Historic Concerts (Soul Note, 1984) constitute the entire library of his communal projects and date back at least a generation before any of the ...
Continue ReadingAruán Ortiz Trio: Live in Zürich
by John Sharpe
Cuban pianist Aruán Ortiz just goes from strength to strength on his third release on the Intakt imprint, although it is his twelfth overall. While most of the repertoire on Live In Zurich appears on previous albums, what he does with it here, through dramatically extending and mashing pieces together, is nothing short of remarkable. This date at the Unerhört! Festival in the Swiss capital was the last of a two-week European tour, and that really shows in the tightness ...
Continue ReadingAruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich
by Karl Ackermann
Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive solo recordings, Cub(an)ism (Intakt Records, 2017) and the vinyl-only Cuban Nocturne (Newvelle Records, 2017).Ortiz continues to grow a global fan base after ...
Continue ReadingAruan Ortiz: Cuban Nocturne
by Karl Ackermann
Cuban pianist and composer Aruán Ortiz started playing piano at the age of nine though his primary instruments were violin and viola. As a teen he began playing arrangements of popular Cuban songs in a school where he was already the director of the band. At fifteen he was first exposed to the music of Chick Corea, setting him on a journey to explore jazz. Cuban Nocturne is fifth of six second-season releases from the vinyl-only Newvelle Records label. The ...
Continue ReadingAruán Ortiz: Cub(an)ism
by Dan McClenaghan
The profile of Cuban-born pianist Aruan Ortiz climbed a few rungs on the ladder with the release of 2016's Hidden Voices (Intakt Records). The sound there was dark and brooding, as Ortiz constructed geometric musical shapes filled with sharp angles and unexpected tangents. His covers on the recordings--one tune by Thelonious Monk and another by Ornette Coleman--served as clues as to his own iconoclastic approach. Hidden Voices featured the pianist in the trio format with bassist Eric Revis ...
Continue ReadingAruán Ortiz: Cub(an)ism
by Karl Ackermann
Hidden Voices (Intakt Records, 2016) brought Cuban born pianist and composer Aruán Ortiz some long-overdue recognition in the U.S. Cub(an)ism, Ortiz' tenth release, is a solo piano outing and his first such recording in the stand-alone format. Recorded in 2016 in Zürich, Switzerland, the album continues Ortiz' exploration of Cuban Cubism, his method of incorporating cubist principles of faceting and multiple perspectives with folkloric elements. Cub(an)ism consists of ten original Ortiz compositions that blend Afro Cuban and Afro ...
Continue ReadingAruan Ortiz Trio: Hidden Voices
by Luca Canini
Confesso che fino a qualche settimana fa poco o niente sapevo di Aruán Ortiz. Non che il nome del pianista cubano non fosse mai arrivato alle mie orecchie (a suonare con gente come Don Byron, Steve Turre, Esperanza Spalding e Wallace Roney difficilmente si passa inosservati), ma nulla di quanto ascoltato aveva attirato la mia attenzione. Superficialità? Forse. Contesti poco stimolanti? Probabile. Fretta? Può essere. Fatto sta che mi ero convinto di avere a che fare con l'ennesimo “professionista" in ...
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