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Jazz Articles about Artie Shaw


About Artie Shaw

1

Radio & Podcasts

Chapter 6: Will the beguine ever end?

Read "Chapter 6: Will the beguine ever end?" reviewed by Larry Slater


Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential.In the early 1990s, Ted Hallock--a passionate jazz scholar and former Oregon State Senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life and ...

5

Radio & Podcasts

Chapter 5: Art Goes Artie

Read "Chapter 5: Art Goes Artie" reviewed by Larry Slater


Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential. In the early 1990s, Ted Hallock--a passionate jazz scholar and former Oregon State Senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life ...

2

Radio & Podcasts

Chapter 4: So, You Liked It Then?

Read "Chapter 4: So, You Liked It Then?" reviewed by Larry Slater


Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential. In the early 1990s, Ted Hallock--a passionate jazz scholar and former Oregon State Senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life ...

8

Radio & Podcasts

Chapter 3: Manic in Manhattan

Read "Chapter 3: Manic in Manhattan" reviewed by Larry Slater


Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential. In the early '90s, Ted Hallock--a passionate jazz scholar and former Oregon state senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life ...

14

Radio & Podcasts

Chapter 2: I Want To Be A Sideman

Read "Chapter 2: I Want To Be A Sideman" reviewed by Larry Slater


Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential. In the early 1990s, Ted Hallock--a passionate jazz scholar and former Oregon State Senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life ...

18

Radio & Podcasts

Chapter 1: Whatever Happened to Arthur Arshawsky?

Read "Chapter 1: Whatever Happened to Arthur Arshawsky?" reviewed by Larry Slater


Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential. In the early 1990s, Ted Hallock--a passionate jazz scholar and former Oregon State Senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life ...

7

Opinion

The Cinderella So Few Got to Hear: Late Artie Shaw is the Best Artie Shaw

Read "The Cinderella So Few Got to Hear: Late Artie Shaw is the Best Artie Shaw" reviewed by Richard J Salvucci


Artie Shaw will always be a bit of a puzzle to his fans--"morons, “ as he once characterized some of us. The best band he ever fronted, and said so more than once, was his 1949-50 “bop" band. Benny Goodman had a similar outfit around the same time, which, like Shaw's, featured excellent young musicians who were comfortable with the bop idiom. But as for the clarinet playing, Goodman's remained more swing than bop, while Shaw's was arguably the other ...


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