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Arild Andersen / Paolo Vinaccia / Tommy Smith: Mira
by John Kelman
The debut of Arild Andersen's now longstanding trio with Scottish saxophonist Tommy Smith and Italian expat drummer Paolo Vinaccia on Live at Belleville (ECM, 2008) came as no small surprise, even to those familiar with the Norwegian bassist's work on the label--dating right back to its inception on Jan Garbarek's classic Afric Pepperbird (ECM, 1971), as well as with his own fine triptych of more accessible early albums, recently collected on Green Into Blue--Early Quartets (ECM, 2010). Andersen ...
Continue ReadingYelena Eckemoff Trio: Glass Song
by AAJ Italy Staff
Russa di formazione classica, ma ormai dal 1991 trasferitasi negli USA e dedita crescentemente al jazz, la pianista Yelena Eckemoff da alcuni anni sta realizzando album in trio con formazioni talentuose, di cui quest'ultimo - con due autentiche “leggende" quali Arild Andersen e Peter Erskine - pare la punta di diamante. La musica è tutta della penna della pianista ed è senz'altro di ottima fattura, ancorché eclettica e diversificata. La cifra generale - come testimoniato peraltro anche dai titoli - ...
Continue ReadingYelena Eckemoff: Glass Song
by Tyran Grillo
Pianist Yelena Eckemoff is refreshing. She has carved a niche for herself with an eye constantly trained to still newer paths. “Once I finish a project, I'm already thinking of the next one," she says, during a phone interview. But let us linger on Glass Song, before being swept away again. The album offers a set of 10 originals that finds the Russian-born pianist/composer in the company of none other than bassist Arild Andersen and drummer Peter Erskine. Astonishingly, this ...
Continue ReadingYelena Eckemoff: Glass Song
by Dan Bilawsky
Pianist Yelena Eckemoff got a late start as a full-fledged jazz recording artist but she's making up for lost time. Eckemoff entered the artistic world as a young classical pianist in the Soviet Union, but she chose to put her work on hold for a spell while raising her children. Eventually, she returned to the piano with renewed creativity energy, but only after leaving her native land. In order to make the move, Eckemoff and her husband had to temporarily ...
Continue ReadingArild Andersen & Scottish National Jazz Orchestra: Celebration
by AAJ Italy Staff
Arild Andersen è certamente uno dei più noti bassisti europei e questo eccellente Celebration non fa altro che rinnovare il suo profondo legame con l'etichetta ECM di Manfred Eicher. Legame che era iniziato nel 1970 con i leggendari primi album del saxofonista Jan Garbarek e del chitarrista Terje Rypdal. Album che lanciarono, allo stesso tempo, la giovane etichetta tedesca nata un anno prima e il jazz scandinavo. Parlare di 'celebrazione' è quindi cosa del tutto lecita e coincide in qualche ...
Continue ReadingArild Andersen: Celebration
by John Kelman
Arild Andersen Celebration ECM Records 2012 With all the activities surrounding the 40th anniversary of ECM Records in 2009--from a three-day festival-within-a-festival at that year's Enjoy Jazz Festival in Mannheim, Germany, and the budget-priced Touchstone Series reissue of forty essential ECM titles, to the publication of an all-German book of commissioned writing, Die Blaue Klang (Wolke Verlag, 2010), and the follow-up to 1996's much coveted and out-of-print Sleeves of Desire: A Cover Story (Lars Müller ...
Continue ReadingArild Andersen: Live at Belleville
by Karl Ackermann
More than forty years ago, Norwegian bassist, Arild Andersen joined saxophonist Jan Garbarek and the late Finnish drummer Edward Vesala to record the groundbreaking Triptykon (ECM 1972), one of these musicians' most energized work. It's a happy coincidence that the new millennium has seen both Garbarek and Andersen--ECM artists, both--create what may be their individual masterpieces--Live at Belleville, in the bassist's case. Andersen's intervening ECM years have generated an impressive catalog of high quality work including Molde Concert (1982), Sagn ...
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