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Jazz Articles about Antonio Adolfo
Take Five With Antonio Adolfo
by AAJ Staff
About Antonio Adolfo Pianist, arranger, producer and educator Antonio Adolfo grew up in a musical family in Rio de Janeiro and began his studies at the age of seven. At seventeen he was already a professional musician. His teachers include Deodato and Nadia Boulanger in Paris. During the 60's he participated in several Bossa Nova and jazz shows in Brazil and toured with singers Leny Andrade, Flora Purim, Wilson Simonal, Elis Regina and Milton Nascimento, Adolfo wrote tunes ...
Continue ReadingAntonio Adolfo: Tropical Infinito
by Edward Blanco
Brazilian pianist/composer, arranger and longtime educator Antonio Adolfo, has more than twenty-five albums as a leader delivering the best of bossa nova and samba-styled grooves and employing a variety of rhythm sections in accomplishing this. Tropical Infinito is a musical homage of sorts from the pianist, exploring the jazz music of the early 1960s that influenced an entire generation of Brazilian bossa artists like himself. However, to accomplish this, Adolfo had to alter his rhythm-based approach to the music by ...
Continue ReadingAntonio Adolfo Graces Seattle's Brazilian Scene
by Mark Holston
Antonio Adolfo & Hendrik Meurkens The Triple Door Seattle, Washington May 22, 2015 Brazilian pianist, composer, arranger and educator Antonio Adolfo made a rare West Coast appearance for a one- niter on May 22 at a storied downtown Seattle, Washington venue, The Triple Door. The Rio de Janeiro native, now based in Florida, brought harmonica ace Hendrik Meurkens from New York for the performance as part of a national tour to promote his latest recordings, ...
Continue ReadingJazz Quanta April
by C. Michael Bailey
April is no more the cruelest month than the moon is made of cheese. For consideration this month we have nine recordings from far and wide: Antonio Adolfo to Little Feat far and wide. Antonio Adolfo Rio, Choro, Jazz AAM Music 2014 Before there was Bossa Nova, there was Choro, which itself was a eutection of European, American and African musical elements. One of the greatest Choro composers was ...
Continue ReadingAntonio Adolfo: Rio, Choro, Jazz...
by Dan McClenaghan
For the more casual fans, Bossa Nova is the Brazilian contribution to music. But there's more than that, and a background from which the popularization of Brazilian sound began in America via saxophonist Stan Getz' teamings with Joao Gilberto and Antonio Carlos Jobim on Getz/Gilberto (Verve Records, 1963) and guitarist Charlie Byrd for Jazz Samba (Verve Records, 1962). Going deeper, and further back before the days of Bossa Nova, is pianist Antonio Adolfo on Rio, Choro, Jazz..., for ...
Continue ReadingAntonio Adolfo: Finas Misturas
by Hrayr Attarian
Pianist, composer and educator Antonio Adolfo's second instrumental release as a leader, on his own AAM label, is entitled Finas Misturas (in English, “fine mixtures"). The name refers to the fusion of jazz elements with the rhythms and sensibilities of Adolfo's native Brazil. The result is a pleasing batch of six covers and four originals.A laid-back, summery ambience dominates this carefully orchestrated album. Even the pieces associated with bop and post-bop pioneers are transformed into serene, pastel landscapes ...
Continue ReadingAntonio Adolfo: Finas Misturas (Fine Mixtures)
by C. Michael Bailey
Brazilian pianist/composer Antonio Adolfo has been making important contributions to the Brazilian-Caribbean musical discography for 40-plus years. His most recent recordings--Chora Baiao (Self Produced, 2011), with Adolfo as leader, and La e Ca (AAM Music, 2010), made with daughter, vocalist Carol Saboya--display the results of a careful evolution of jazz through Caribbean and South American music, from trumpeters Kenny Dorham And Dizzy Gillespie's “Afro-Cubano" revolution of the mid- '50s and the bossa nova of the 1960s. On ...
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