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Jazz Articles about Andrew Cyrille
Mal Waldron - Steve Lacy: The Mighty Warriors
by Dan McClenaghan
Producer/jazz detective Zev Feldman is still at it, ferreting out unreleased recordings from jazz giants of the past and releasing them with buffed-up sound quality and first-rate packaging. Long lost recordings from pianists Bill Evans, Thelonious Monk, Art Tatum and Ahmad Jamal have seen the light of the twenty-first century, thanks to Feldman, as has newly discovered music from trumpeter Chet Baker. Now it is pianist Mal Waldron (1925 -2002) and soprano saxophonist Steve Lacy's (1934 -2004) turn, with The ...
Continue ReadingIvo Perelman / Chad Fowler / Reggie Workman / Andrew Cyrille: Embracing the Unknown
by Mark Corroto
Let's explore the title of saxophonist Ivo Perelman's latest release, Embracing the Unknown. His quartet with fellow saxophonist Chad Fowler, plus jazz legends Reggie Workman and Andrew Cyrille embrace, or welcome, adopt, and maybe better stated, champion the unknown. This exercise in instant composing guides listeners through the mysterious, the new, the novel, the undiscovered, i.e. the unknown. But then again, doesn't every Ivo Perelman recording embrace the unknown? With his one hundred plus (and counting) discography, the ...
Continue ReadingAndrew Cyrille: Music Delivery / Percussion
by Mark Corroto
If Andrew Cyrille were a painter, he'd be Georges Seurat. If he were a poet, E. E. Cummings; a Tour de France Champion, Jacque Anqutiel; or a writer, Ian McEwan. The above masters are mentioned because Cyrille shares a command of colors, efficiency, grace, and language with his instrument equal to doyens in other disciplines. His solo outing Music Delivery / Percussion is not his first solo drums and percussion disc. He released What About? (BYG Records, 1960) and The ...
Continue ReadingAndrew Cyrille, Elliot Sharp, Richard Teitelbaum: Evocation
by Howard Mandel
Evocation is what all writing about music must be about and may be the mission of music itself. To create an impression, to summon a memory or tender a suggestion of presence using materials that are not substantially those of the endeavor's subject--isn't that the fundamental purpose of any art? Not to be pretentious or obscure the thing itself: It must be said that master drummer Andrew Cyrille, guitarist-reedist Elliott Sharp and Richard Teitelbaum, the pioneering electronic music ...
Continue ReadingAndrew Cyrille, William Parker, Enrico Rava: 2 Blues for Cecil
by Giuseppe Segala
È già stato detto molto, di questo album. Appuntamento al vertice di tre musicisti, che in momenti diversi hanno incrociato la personalità magmatica di Cecil Taylor e la sua musica. Andrew Cyrille, William Parker ed Enrico Rava, nell'ordine alfabetico in cui sono elencati dal disco, hanno dato vita al trio per la prima volta nel 2016, con un'esibizione al Whitney Museum di New York. Dopo un nuovo incontro in Francia, nel 2020, sono entrati in studio a Parigi ...
Continue ReadingQasim Naqvi / Wadada Leo Smith / Andrew Cyrille: Two Centuries
by Chris May
Strangely, given their similar ages and trajectories, trumpeter Wadada Leo Smith and percussionist Andrew Cyrille have worked together infrequently. But when they have, the results have been spectacular. In 2018, Smith and Cyrille collaborated with guitarist Bill Frisell on the well received Lebroda for ECM. Lebroda was produced by Sun Chung, who has since set up his own label, Red Hook, from whence comes Two Centuries. On it, Chung has brought Smith and Cyrille together again, this time ...
Continue ReadingCecil Taylor: With (Exit) To Student Studies Revisited
by Mark Corroto
Documenting the evolution of Cecil Taylor is an undertaking that is way beyond the pay grade of most listeners. Just as in the study of homo sapiens (yes, us) where there is no critical moment (the missing link) that we can definitely pinpoint where our ancestors established language, art and importantly, abstract thought, Taylor's music can be thought of in similar terms. Obviously his approach didn't emerge fully formed. Or did it? No, that is an irrational thought, but a ...
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