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Jazz Articles about Anders Jormin
Ingi Bjarni Skúlason: Hope
by Glenn Astarita
Ingi Bjarni Skúlason's seventh album, Hope, released on January 17, 2025, is a poignant exploration of grief and resilience, exquisitely woven into a Nordic jazz tapestry. This Icelandic pianist and composer, joined by truly estimable artists--Anders Jormin on double bass, Hilmar Jensson on guitar and Magnús Trygvason Eliassen on drums--crafts a soundscape that is both introspective and expansively beautiful. The quartet's synergy, finely honed at the Reykjavik Jazz Festival, shines across nine tracks, each a quiet meditation on loss and ...
Continue ReadingBobo Stenson Trio: Sphere
by Mike Jurkovic
Bobo Stenson first rose to recognition as a sideman and in-house pianist in the late '60s with saxophonist Sonny Rollins, vibraphonist Gary Burton, and saxophonist Charles Lloyd, among many others. But it was in 1971, alongside drummer Jon Christensen, that he established his subtle, humorous shadings and folkish, earthy style with Underwear (ECM). Yet Stenson's intimate articulations are, for the most part, about as familiar to the less-than-fixated jazz world at large as one of those comets or asteroids blaze ...
Continue ReadingAnders Jormin: Poems for Orchestra
by Neri Pollastri
Suggestivo e inusuale lavoro del contrabbassista svedese Anders Jormin, uno dei grandi interpreti scandinavi dello strumento, questo Poems for Orchestra mette in musica una serie di poesie dedicate alla natura, avvalendosi della Bohusiän Big Band e, come solisti, della cantante svedese Lena Willemark—ben nota per i suoi lavori in equilibrio tra folk, improvvisazione e contemporanea, editi da ECM—e della giapponese Karin Nakagawa, specialista di koto. I testi poetici utilizzati sono parte di poeti scandinavi, parte scritti da Jormin ...
Continue ReadingAnders Jormin: Poems For Orchestra
by Friedrich Kunzmann
Swedish bassist and composer Anders Jormin has been recording since the mid 1980s, playing with greats such as his countryman Bobo Stenson, American saxophonist Charles Lloyd and Polish trumpeter Tomasz Stanko among others. Since his debut as a leader for ECM in 2001, he has kept close to the label. But the concept on Poems for Orchestra marches to somewhat of a different tune and that it is being released on the Scandinavian label Losen Records seems appropriate, considering the ...
Continue ReadingAnders Jormin / Lena Willemark / Karin Nakagawa: Trees of Light
by John Kelman
It's not often that a new recording appears on ECM from Anders Jormin--a bassist who is, perhaps, best-known for his work in fellow Swede Bobo Stenson's ongoing trio, last heard on 2012's superb Indicum (ECM), and for his tenure, alongside Stenson, in Charles Lloyd's career-defining 1990s quartets, collected recently in the Old & New Masters Edition box Quartets (ECM, 2013). But if the bassist's own projects for the label are far from frequent--his last release, 2012's Ad Lucem, and before ...
Continue ReadingAnders Jormin: Between Always And Never
by Chris Mosey
Anders Jormin leads a remarkably busy life. Bassist with pianist Bobo Stenson's Trio, he has also played with the likes of saxophonists Lee Konitz, Joe Henderson, Charles Lloyd and Joe Lovano, as well as drummers Elvin Jones and Jack DeJohnette. He records under his own name, composes works for symphony orchestras, studies ethnic music in Cuba and Mozambique, teaches double bass and improvisation at Gothenburg University and writes poems in Latin. It's amazing that he finds time ...
Continue ReadingAnders Jormin: Ad Lucem
by John Kelman
It may be frustrating when an artist releases albums infrequently, but when quality trumps quantity all is forgiven. Swedish bassist Anders Jormin's discography as a leader remains small--just eleven records as a leader since his auspicious 1988 Dragon debut, Eight Pieces. Still, with a high profile résumé sporting fellow ECM label mates such as pianist Bobo Stenson, saxophonist Charles Lloyd, trumpeters Tomasz Stańko and Don Cherry, and violinist Mark Feldman, Jormin's recorded output may be relatively diminutive, but it's consistently ...
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