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Albert "Tootie" Heath, Ethan Iverson, Ben Street: Philadelphia Beat

by Stefano Merighi
Ottant'anni di fragranza sono quelli di Albert “Tootie" Heath, a giudicare dalla qualità del gioco imbastito in trio con il piano di Ethan Iverson ed il contrabbasso di Ben Street, un gioco giunto alla sua terza e più riuscita mano, votato alle regole non scritte della scuola jazzistica di Philadelphia. Un magistero, quello di Heath, plasmato sulla leggerezza, sul gusto della sottrazione, affermato in decenni di frequentazioni al vertice della storia del jazz (da Art Farmer a Yusef Lateef, da ...
Continue ReadingWes Montgomery: The Incredible Jazz Guitar of Wes Montgomery

by Chris May
Ask a dozen jazz guitar fans for their all-time top guitar albums and The Incredible Jazz Guitar of Wes Montgomery is likely to be high on every list. If it isn't, chances are Montgomery's live set Full House (Riverside, 1962), recorded two years later, will be. With these discs, Indianapolis-born Montgomery (1923-68) gave the guitar its biggest quantum leaps forward, both stylistically and in terms of listener acceptance, since Charlie Christian in the late 1930s/early 1940s and Johnny Smith in ...
Continue ReadingPercy Heath: A Love Song

by Russ Musto
As remarkable as it may seem that this Love Song is the debut release as a leader by 80 year-old elder statesman bassman Percy Heath, it was certainly well worth the wait. Heath, who has been the quintessential supportive sideman on more than 300 recordings, most notably as a member of the Modern Jazz Quartet, steps into the spotlight here, ably assisted by his regular rhythm section mates from the Heath Brothers band, pianist Jeb Patton and drummer, brother Albert ...
Continue ReadingPercy Heath: A Love Song

by Michael P. Gladstone
Being a little late to hop on the bandwagon about last month's release of this first album from Percy Heath, I would like to avoid giving you more of the plaudits of Heath's magnificent career and accomplishments that you've already read, and simply offer my congratulations upon this effort.
The music on A Love Song can stand by itself. Heath has contributed four of the seven tracks, with one from the late Roland Hanna, one from John Lewis, ...
Continue ReadingPercy Heath: A Love Song

by Jerry D'Souza
What would life be without its little surprises? Did bassist Percy Heath ever conceive the notion that he would get his first recording as leader 50 years into his career? Ah, the vagaries of fate! But this is a moment to savour and to enjoy. Heath got to choose the songs, and the band at hand has an uncanny understanding. The music is sublime; there is no over heated ardour at work, just a quiet fire which kindles the flame ...
Continue ReadingPercy Heath: A Love Song

by John Kelman
It’s an encouraging sign for all octogenarians when one of their own, a man who has a musical career that spans more than six decades, finally releases an album under his own name at the age of eighty. That man is Percy Heath, and with A Love Song he finally gets to play things exactly as he hears them, which is with a quartet alongside another bassist, allowing Heath plenty of room to solo, on both bass and cello.
A ...
Continue ReadingPercy Heath: A Love Song

by Dan McClenaghan
On the photos included with A Love Song, Percy Heath shows off the greatest grin in jazz since Louis Armstrong. And he has good reason to flash that smile; at eighty years young, he's just issued his first recording as a leader (can that be true, after fifty plus years in the business?), where he displays his transcendent gifts as a bass and cello player and tunesmith on a simply beautiful quartet outing.Percy Heath is the eldest of ...
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