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About Albert Tootie Heath
Greg Skaff: Polaris
by C. Andrew Hovan
The pandemic year of 2020 brought with it very little in terms of artistic endeavors, thanks to lockdowns and stay home orders. Yet even under extreme conditions, guitarist Greg Skaff managed to commit to tape some genuinely sublime music that is sure to be remembered as one of 2021'a most memorable releases. Of course, Skaff has been at the forefront of modern jazz guitar since his first big break in the '80s working with the legendary Stanley Turrentine.
Continue ReadingDexter Gordon: Tokyo 1975
by Mike Jurkovic
Though in many regards a standard, none-too-frenetic quartet setting, Dexter Gordon Quartet Tokyo 1975 is still as grand a starting point for Elemental Music's inaugural launch of previously unreleased jazz performances as can be. Gordon found himself exuberantly liberated from the antiquated (and sadly all too present) prejudices of America during his fourteen-year expatriation to Europe from 1962 to '76. Working and living primarily in Paris and Copenhagen, Gordon gigged and recorded with visiting friends and fellow expats ...
Continue ReadingDexter Gordon Quartet: Tokyo 1975
by C. Michael Bailey
Elemental Music is a record label that can be uttered in the same breath with Omnivore Records and Resonance Records. These labels can be credited with significant additions to the universal jazz catalog. Near recent examples of unreleased performances put out by Elemental Music include: Art Pepper Live At Fat Tuesday's (2015) and Red Garland's Swingin' On The Korner: Live At Keystone Korner (2015), as well as Jimmy Giuffre: New York Concerts (2014). Elemental Music has since found ...
Continue ReadingAlbum Review
Albert "Tootie" Heath, Ethan Iverson, Ben Street: Philadelphia Beat
by Stefano Merighi
Ottant'anni di fragranza sono quelli di Albert “Tootie" Heath, a giudicare dalla qualità del gioco imbastito in trio con il piano di Ethan Iverson ed il contrabbasso di Ben Street, un gioco giunto alla sua terza e più riuscita mano, votato alle regole non scritte della scuola jazzistica di Philadelphia. Un magistero, quello di Heath, plasmato sulla leggerezza, sul gusto della sottrazione, affermato in decenni di frequentazioni al vertice della storia del jazz (da Art Farmer a Yusef Lateef, da ...
Continue ReadingWes Montgomery: The Incredible Jazz Guitar of Wes Montgomery
by Chris May
Ask a dozen jazz guitar fans for their all-time top guitar albums and The Incredible Jazz Guitar of Wes Montgomery is likely to be high on every list. If it isn't, chances are Montgomery's live set Full House (Riverside, 1962), recorded two years later, will be. With these discs, Indianapolis-born Montgomery (1923-68) gave the guitar its biggest quantum leaps forward, both stylistically and in terms of listener acceptance, since Charlie Christian in the late 1930s/early 1940s and Johnny Smith in ...
Continue ReadingPercy Heath: A Love Song
by Russ Musto
As remarkable as it may seem that this Love Song is the debut release as a leader by 80 year-old elder statesman bassman Percy Heath, it was certainly well worth the wait. Heath, who has been the quintessential supportive sideman on more than 300 recordings, most notably as a member of the Modern Jazz Quartet, steps into the spotlight here, ably assisted by his regular rhythm section mates from the Heath Brothers band, pianist Jeb Patton and drummer, brother Albert ...
Continue ReadingPercy Heath: A Love Song
by Michael P. Gladstone
Being a little late to hop on the bandwagon about last month's release of this first album from Percy Heath, I would like to avoid giving you more of the plaudits of Heath's magnificent career and accomplishments that you've already read, and simply offer my congratulations upon this effort.
The music on A Love Song can stand by itself. Heath has contributed four of the seven tracks, with one from the late Roland Hanna, one from John Lewis, ...
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