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Two hours of Roy Ayers as a sideman, and his earlier work as a leader
by Andy Crowther
A real journey of discovery and education for me here, I learnt so much and hope you do too. Two hours of Roy as a sideman, and his early work as a leader. Playlist Curtis Amy Featuring Victor Feldman “A Soulful Bee, A Soulful Rose" from Way Down (Pacific Jazz) 00:00 Gerald Wilson Orchestra “Lighthouse Blues" from On Stage (Pacific Jazz) 09:48 Curtis Amy “Tippin' on Through" from Tippin' On Through (Pacific Jazz) 17:13 Vi Redd “Medley: Perhaps ...
Continue ReadingJazz Highlights for Record Store Day 2025
by Kyle Simpler
For most Americans, April brings to mind tax deadlines and spring cleaning. But for vinyl collectors, April means something far more exciting: Record Store Day. Each year, music lovers line up early for a chance to snag limited-edition releases--many of them archival treasures, rarities, or long-lost recordings brought back to life. While the overall selection spans multiple genres, 2025's offerings deliver an especially rich batch for jazz fans. Here are some of the most notable jazz releases for Record Store ...
Continue ReadingMichael Buckley & Hugh Buckley At Magy's Farm
by Ian Patterson
Michael Buckley & Hugh Buckley Magy's Farm Dromara, N. Ireland March 22, 2025 If the flapping of a butterfly's wings on one side of the world can cause a tornado on the other side--or so the theory goes--then surely the ripple effects from one flight cancellation would be no less significant. For the small band of jazz fans making their way to Magy's Farm, a unique concert venue in hilly Dromara, the only ripple ...
Continue ReadingMatt Carmichael: Dancing With Embers
by Neil Duggan
Scottish tenor saxophonist Matt Carmichael captured attention with his first album Where Will The River Flow (Porthole Music, 2021), garnering over 8 million streams. His second album, Marram (Edition Records, 2022), developed his blend of jazz and Scottish folk, winning “Best Album" in the Scottish Jazz Awards. He follows this with Dancing With Embers, which changes focus to concentrate on song structure and a sense of intimacy, rather than improvised solos, resulting in an album that is more biased towards ...
Continue ReadingUniversity of Nevada-Las Vegas: Let The Good Times Roll
by Jack Bowers
If energy and enthusiasm were enough to earn a prize, the University of Nevada Las Vegas Jazz Ensemble 1 would surely have one in hand to salute its newest album, Let the Good Times Roll, a textbook lesson in buoyant and heavy-duty big-band jazz. While co-directors Dave Loeb and Nathan Tanouye enlist no fewer than seven talented guest artists to lend a hand, several of the album's highlights take place when none of its guests is in the lineup. To ...
Continue ReadingNichols for Your Thoughts
by Patrick Burnette
Normal service resumes with a podcast devoted to tributes celebrating the still-obscure pianist and composer Herbie Nichols. Nichols spent his truncated career in the shadow of Thelonious Monk (a big guy who cast a big shadow). He released roughly four albums in his lifetime and spent much of his career scuffling in Dixieland bands, but those initiated into his cult realize he was a truly gifted and unique composer. These tributes encompass a fairly straight ahead quintet date, a more ...
Continue ReadingRonny Wiesauer: Figures and Shapes
by Geno Thackara
Amidst his occasional outings with combinations of other players, Ronny Wiesauer keeps drifting back to a personal niche that is reliably comfortable and comforting. When settled in alone with a guitar, he spins pastoral meditations with the easy-flowing smoothness of a daydream--this is contemplative territory sometimes reminiscent of Ralph Towner or Pat Metheny, though without making those nods terribly obvious. Jazzy modes pop up in spots like the light jaunty “Strolling," but the more frequent tinges come from his classical ...
Continue ReadingSatoko Fujii: Endlessly Challenging
by Doug Collette
One of contemporary jazz music's most prolific artists, pianist/composer/bandleader Satoko Fujii refuses to repeat herself except with a purpose. While she is never reticent to embark on novel adventures in composing, playing, arranging and recording, she is likewise hardly averse to revisiting previous collaborations in search of fresh inspiration in the context of the familiar. Devotees of the prolific Japanese artist may find the deepest satisfaction in her efforts with small combos such as the Tokyo Trio--more opportunity to hear ...
Continue ReadingNew Music From Arbenz, Olivier, Shorter & More
by Bob Osborne
This time around a fascinating selection of recent releases including a sublime performance from the incomparable Ella Fitzgerald from a previously unreleased live recording. Playlist Show Intro 00:00 Florian Arbenz, Michael Arbenz, Ron Carter “Old Shaman" from The Alpine Session (Self Produced) 00:27 Isabelle Olivier “Impressions" from Impressions (Rewound Echoes) 10:36 Eric Shorter “Our Brother of Bethany" from Shorter Bendian Shields (577 Records) 15:16 Ivo Perelman, Joe McPhee, Ken Vandermark “Sulfur" from Oxygen (Mahalaka Music) 24:31 Posi-tone Swingtet ...
Continue ReadingCecile McLorin Salvant at Carnegie Hall
by Paul Reynolds
Cecile McLorin Salvant Carnegie Hall “With Every Breath I Take" New York City March 27, 2025 “I'm nervous, so these are already a little clammy," announced Cecile McLorin Salvant as she removed her magenta gloves--part of a characteristically soigné outfit--early in her Carnegie Hall concert on Thursday. Jitters are understandable when playing the Stern Auditorium / Perelman Stage at Carnegie Hall, the biggest space at arguably the world's most famous venue. ...
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