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5
Album Review

Jonathan Reisin: Too Good X Unreality

Read "Too Good X Unreality" reviewed by Dan McClenaghan


Saxophonist Jonathan Reisin says of the tunes presented on his Too Good X Unreality: “These pieces are especially fragile." They are. They are like butterflies in their fragility, vignettes of space and delicacy possessed of an underlying tensile strength. A complexity/simplicity dynamic is there.His trio consists of his tenor and soprano saxophones, Shinya Lin's piano and prepared piano and Jarred Chase's drums.There is a sense of the musicians sitting down without any preplanning and slipping into ...

3
In Pictures

Cecile Mclorin Salvant Quartet at SFJAZZ

Read "Cecile Mclorin Salvant Quartet at SFJAZZ" reviewed by Ronald Davis


A collection of photos from the Cecile Mclorin Salvant Quartet concert at SFJAZZ Center in San Francisco on May 3, 2025 featuring Cecile McLorin Salvant, Sullivan Fortner, Yasushi Nakamura and Kyle Poole. ...

7
Jazz Jaunt

Brick Lane Jazz Festival 2025—A Rookie's Review

Read "Brick Lane Jazz Festival 2025—A Rookie's Review" reviewed by Andy Crowther


Various Venues Brick Lane Jazz Festival London April 25-27, 2025 The Brick Lane Jazz Festival is now in its fourth year, and although it has been on my radar for a while I've never made it. I've had very little excuse. The UK jazz scene is arguably the most invigorating on the planet. I don't live in London but fairly close in the county of Essex, and the festival's location is walkable from my ...

8
Album Review

Satoko Fujii: Dream a Dream

Read "Dream a Dream" reviewed by John Sharpe


Japanese pianist and composer Satoko Fujii has long demonstrated her ability to marshal ensembles of varying size--from intimate duos to sprawling orchestras--with an ear attuned to both spontaneity and design. On Dream A Dream, the second release from her Tokyo Trio, she reaffirms that a small group can still conjure orchestral breadth when agency and imagination run free. With bassist Takashi Sugawa and drummer Ittetsu Takemura, Fujii leads a unit whose cohesion now feels even more instinctive than on their ...

8
Album Review

Susan Hinkson: Just in Time

Read "Just in Time" reviewed by Katchie Cartwright


In 2025, radio programmers are apt to carp about singers who continue to cover the Great American Songbook. There are new songs and songwriters to explore, they say, and it is true. But for lovers of mainstream jazz, the mellow sound of a sensitive balladeer like Susan Hinkson singing a gem like Harold Arlen and Johnny Mercer's “One for My Baby" still satisfies. On a late and rainy Saturday night, many a jazz fan would be delighted to ...

2
Radio & Podcasts

Craig Mod: Things Become Things That Last

Read "Craig Mod: Things Become Things That Last" reviewed by Lawrence Peryer


Today, the Spotlight shines On Craig Mod, a writer, photographer, and walker. Criag's latest book, Things Become Other Things (Random House, 2025), is a walking memoir that traces his 300-mile journey along ancient pilgrimage paths in rural Japan. The book blends sharp prose with striking photography, capturing conversations with aging fishermen, inn owners, and cafe “mamas" while reflecting on friendship, loss, and the disappearing village life of Japan's Kii Peninsula. This is an expanded and re-imagined mass market ...

3
Live Review

Miguel Zenon and Luis Perdomo at Harlem Stage Gatehouse

Read "Miguel Zenon and Luis Perdomo at Harlem Stage Gatehouse" reviewed by Paul Reynolds


Miguel Zenon and Luis Perdomo Harlem Stage Gatehouse Carnegie Hall Citywide New York, NY May 3, 2025 The duets between alto saxophonist Miguel Zenon and pianist Luis Perdomo are among the most affecting jazz collaborations of recent years, and the most acclaimed. The first of the duo albums they've recorded together, El Arte Del Bolero (Miel Music, 2021) was nominated for Best Latin Jazz Album Grammy in 2022, and the second, El Arte Del ...

18
Album Review

Chris Cheek: Keepers of the Eastern Door

Read "Keepers of the Eastern Door" reviewed by David Weiner


In Keepers of the Eastern Door, saxophonist Chris Cheek leads a beautifully played, richly melodic and creatively curated set of performances, which split the difference between enchantment and fun. Cheek and his bandmates--Bill Frisell on guitar, Tony Scherr on bass, and Rudy Royston on drums--offer a mix of distinctive Cheek originals and unexpected takes on works by others. The covers are borrowed from genres outside the jazz and songbook repertoires, and the band outfits them with attractive new arrangements, tempos ...

41
The Jazz Files

Unearthed & Unforgettable: The Lost Tapes of Just Jazz

Read "Unearthed & Unforgettable: The Lost Tapes of Just Jazz" reviewed by Hank Hehmsoth


Rediscovering Just Jazz: A Lost Archive of Jazz Legends Returns Unearthed after more than 50 years, the Just Jazz video archives represent one of the most significant rediscoveries in jazz history. Produced by NEA Jazz Master Dan Morgenstern and originally broadcast in 1970 on WTTW Chicago, these rare recordings capture intimate, electrifying performances by some of the most influential jazz artists of the 20th century--performances that were long presumed lost. I uncovered this archival treasure while serving as ...

4
Album Review

Helio Alves: Samba Of Sorts

Read "Samba Of Sorts" reviewed by Kyle Simpler


It is not uncommon for people in the United States to discuss the British Invasion of the 1960s, when groups like The Beatles, The Rolling Stones, and The Yardbirds became staples of American radio. But alongside this, another invasion was becoming part of the American music scene: bossa nova. “The Girl from Ipanema" (Verve 1964) topped the charts, and seemingly overnight, the sixties exuded the Latin vibe. While bossa nova echoed the sixties spirit, it was far from a passing ...


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