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Album Review

Carlos Jimenez: Woods

Read "Woods" reviewed by Richard J Salvucci

Carlos Jimenez is a kind of metaphor for Latin jazz, from Yonkers, New York, to Puerto Rico ("the island") and back, with instrumental and stylistic stops along the way. Jazz flute has had some storied practitioners, and Jiménez is obviously well along getting a foothold there too in this, his sixth album since 2005. Interestingly, Jiménez says Cuban percussionist Mongo Santamaría spurred his transition from brass to woodwind, which speaks volumes about the importance of polyrhythms to Latin jazz. If ...

Album Review

Carlos Jimenez: Arriving

Read "Arriving" reviewed by Stephen Latessa

There is no doubt that for a large part of the movie-watching population, jazz flute will instantly call to mind Will Ferrell's heroically unhinged performance on said instrument in a scene from Anchorman: The Legend of Ron Burgundy. That Ferrell is now synonymous with jazz flute in some quarters says something, although I'm not exactly sure what. Regardless, Carlos Jimenez approaches the flute on Arriving in a traditional manner, without a sense of irony.

The great danger of ...

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