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158

Album Review

Lisle Ellis: Sucker Punch Requiem: An Homage to Jean-Michel Basquiat

Read "Sucker Punch Requiem: An Homage to Jean-Michel Basquiat" reviewed by Clifford Allen

by Clifford Allen

Painter, graffitist and collagist Jean-Michel Basquiat was an unmistakable force in New York during the late '70s and into the '80s, certainly the latter decade's first American art stars and one of the art world's first black stars. Initially known by his tag SAMO (referencing both Sambo and “Same Old..."), he was championed by Warhol for his use of street language and vernacular elements in a proliferation of large, abstract paintings. He was also guitarist in the no wave band ...

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478

Album Review

Carla Kihlstedt / Satoko Fujii: Minamo

Read "Minamo" reviewed by Budd Kopman

by Budd Kopman

For those listeners who enjoy free, truly spontaneous improvisation and the combination of violin and piano, Minamo with violinist Carla Kihlstedt and pianist Satoko Fujii cannot be recommended highly enough.Featuring two live recordings from performances at Rova Saxophone Quartet's 25th Anniversary Festival in San Francisco in 2002 and the Music Unlimited Festival in Wels Austria in 2005, this exhilarating record demonstrates the highest levels of musical interaction.Kihlstedt is known mainly for her work in the avant-garde ...

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324

Album Review

Lisle Ellis: Sucker Punch Requiem: An Homage to Jean-Michel Basquiat

Read "Sucker Punch Requiem: An Homage to Jean-Michel Basquiat" reviewed by Troy Collins

by Troy Collins

Canadian born bassist and Renaissance man, Lisle Ellis opens a new chapter in his development with Sucker Punch Requiem. A tribute to the revered painter Jean-Michel Basquiat, Ellis' all-star septet offers a diverse program of musical ideas that mirrors Basquiat's idiosyncratic vision.

With ties across Canada, New York City and the Bay Area, Ellis has been a highly valued collaborator for almost three decades. A brief hiatus from performing in the late 1990s found him channeling his creative ...

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125

Album Review

Gustavo Aguilar: unsettled on an old sense of place

Read "unsettled on an old sense of place" reviewed by Donald Elfman

by Donald Elfman

The title is nearly perfect; this music is truly unsettled on--really--any place or sense of it. You can't nail it down other than as a series of sound portraits about the relationship between composer and listener. It does invoke a sense of somewhere that feels familiar and very new at the same time.

Aguilar hails from Brownsville, Texas, and one might find something of the kind of Texas/Mexican colors of the composer's background, but you won't be there ...

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156

Album Review

Sound on Survival: Live

Read "Live" reviewed by Derek Taylor

by Derek Taylor

Coining a catchy sobriquet in synch with its '70s free jazz roots, the trio of altoist Marco Eneidi, bassist Lisle Ellis, and drummer Peter Valsamis has been making Richter-sized seismic waves for quite a while. The music financed by the fledgling Henceforth label as its first release exhibits the “road work of a short American tour that presaged the band's recording session for CIMP. That latter date registered on numerous 2004 year-end lists, my own included, as a serious new ...

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