Jazz Articles
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Randy Hoexter: Tomorrowsville
by Jack Bowers
Several words spring to mind when listening to the music of Atlanta-based composer, arranger and pianist Randy Hoexter. Colorful is one, wide-ranging is another. Not to mention creative, robust and well-ordered. Each of those traits and more are deftly combined in Hoexter's latest album, Tomorrowsville, on which he leads a high-grade ensemble through its paces on eleven of his intriguing themes and charts. What is clear from the outset is that Hoexter is a talented and earnest ...
Continue ReadingJeff Richman: XYZ
by Jim Worsley
XYZ could perhaps reference any number of things. Sparing us that rabbit hole, in this case it references boundaries pushed to their fullest extent with some exceptional new music from fusion guitarist Jeff Richman. Richman's previous release, Sizzle (Nefer Records 2017) was/is a record that lives up to its name. There is something to be said about not putting out a record every eighteen months, twenty-four months, or any other calendar-driven period. It would seem that Richman threw away the ...
Continue ReadingAllan Holdsworth & Alan Pasqua: Proto-Cosmos
by Jim Worsley
If the song title “Proto-Cosmos" brings Tony Williams to mind then step to the front of the class. Alan Pasqua's tune is featured on the drummer's 1975 album, Believe It (Columbia). The record is considered by some to be the best fusion album of all time. In addition to Pasqua and bassist Tony Newton, a young British guitarist named Allan Holdsworth introduced himself to the masses. Fast forward to 2022 and it has been five and a half years since ...
Continue ReadingMarilyn Scott: The Landscape
by Jim Worsley
Some artists feel obligated to put out a new record every one-point-three years, or whatever their factory warranty calls for (mileage may vary). Others are more interested in quality than quantity. On her first record since Standard Blue (Prana, 2017), jazz vocalist Marilyn Scott has something to say about The Landscape. More than the title track, Scott's concerns with our landscape is the scope and focus of seven original compositions, all co-written with pianists Russ Ferrante or Scott Kinsey. Scott ...
Continue ReadingARC Trio and the John Daversa Big Band: ARCeology: The Music of MSM Schmidt
by Jim Worsley
What would happen if fusion, already a hybrid of musical genres, was compounded with the sound of big-band? Further, that both genres were stretched well outside the box? An ensemble of bright musical minds came together on just such a project. The results could have been the disastrous soup of too many cooks in the kitchen or, perhaps, something special and creative. Fortunately, they served up an entree which is very much the latter. It starts with quality ...
Continue ReadingTriTone Asylum: The Hideaway Sessions
by Richard J Salvucci
Mellow is as mellow does, and Tritone Asylum (an interesting name for an updated “fusion" band) certainly opens that way, with a pleasantly relaxed feeling on “Grasshopper." But do not get too comfortable. Do you remember the first time you heard “Chameleon" with Harvey Mason wailing away? Your reaction may have been puzzled; many were, because the recording “broke the mold." That did not sound familiar, as if Herbie Hancock had started channeling Sly Stone. “Schizophrenic," composed and arranged by ...
Continue ReadingMike Miller: Trust
by Jim Worsley
This record is more than a breath of fresh air. It is more like when you open the front door and that momentary rush of crisp wind blows in. Trust embraces that sensation and creates a limitless screen door of opportunity. Ten original and melodious compositions by Mike Miller seamlessly flow, and both sustain and cherish the feel of the moment for the duration. The magnitude of this project propelled Miller to assemble an elite group of musicians. ...
Continue ReadingMelbreeze: I Love Paris
by Jim Worsley
"I Love Paris" declares Melbreeze in song. It “fucking sizzles" she exclaims, adding just a tad of creative expression to the lyrics of Cole Porter. The delightful ambiance of France was the perfect vacation spot (if only in one's mind) to celebrate the unveiling of her tenth—yes, its been that many-- record. Melbreeze has long put the instrumental aspect upfront or on top. Her voice is often heard as another cog in her crafty musical structure. Ah, ...
Continue ReadingLyle Workman: Uncommon Measures
by Mike Jacobs
If there's a major takeaway to be had from listening to guitarist Lyle Workman's Uncommon Measures, it's the palpable sense that all of his impressive musical experience has been poured into it. And to that end, Workman certainly doesn't bury the lead. The epic opening track “North Star" can single-handedly make sense of Workman's entire decades-long resume. It's a CV that includes working in and with bands (Bourgeois Tagg, Jellyfish, Frank Black), being a “hired gun" guitarist (with such icons ...
Continue ReadingNicolas Meier/ Dewa Budjana Group: Flying Spirits
by Jim Worsley
As much as 2020 was a lemon, it was quite the fruitful year for jazz and fusion records. The vault had been closed, sealed, and bolted shut for the year, until a spirit swept the room. Under the heading of 'saving the best for last' or a 'hail Mary,' the magical journey of Flying Spirits (Blue Canoe, 2020) was in the air, in the ear, and enriching the mind. The record brought together virtuoso level guitarists, Nicolas Meier and Dewa ...
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