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137: Strangeness Oscillation
by Chris May
More comebacks than Sinatra? Well, not really, given that this is the first one, but the return of the beyond-category British saxophonist and flautist Larry Stabbins after an eleven-year absence is headline news. In 2013, Stabbins (a.k.a. Stonephace) very publicly announced that he was beyond disgusted with the music business in general and the jazz business in particular and that he was leaving London and returning to the West Country where he was born and bred. We would be hearing ...
Continue Reading"Stonephace" Stabbins: Transcendental
by Bruce Lindsay
On his thirteenth birthday Larry Stonephace" Stabbins, already a promising saxophonist, bought John Coltrane's Africa/Brass (Impulse!, 1961). The impact was immediate and long-lasting, as Stabbins writes in the liner notes to Transcendental. By the early'70s he was an established player on the UK jazz scene. Forty years on, the sound of Africa/Brass still influences Stabbins and while he makes no attempt to mimic Coltrane's sound, there is something of Coltrane's spirituality underpinning much of the music on this excellent recording.
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