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Neil Sadler: Theory Of Forms
by John W. Patterson
This is my kind of delightfully frenetic, jazzish and fusiony art. Tis quirky, energetic, odd-metered, free-blowin' yet structured abandon. Sadler's seven compositions are whirlpools of beat, whole tonal scales, staccato attacks and explosions — all geared for great improvs and dynamics. Ah, there is room for Keneally fusion riffs and Torn-like howling sustain. Walt, Steve, and Bruce Fowler bring in a definite Miles Davis / Mark Isham aura along with that Steve Coleman, David Binney, and Brecker feel in many ...
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