Jazz Articles
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Fred Hersch: Silent, Listening
by Mike Jurkovic
Like many of Fred Hersch's haunted, focused recordings--2017's Grammy nominated Open Book(Palmetto Records), Solo (Palmetto Records, 2015) or In Amsterdam: Live at the Bimhuis (Palmetto Records, 2006)--the short story of Silent, Listening, Hirsch's first solo foray for ECM, is this: Stay for the rich, orchestral novel and the full reward is yours. On his thirteenth solo foray, Hersch tells the whole story which comprises the lyrical abstracts and open questions the pianist poses on the melodically quixotic “Aeon." ...
read moreArve Henriksen: The Touch of Time
by Scott Gudell
Nordic trumpeter Arve Henriksen has played jazz, metal, folk, eclectic world music--with a nod to Japanese flute--and more. That caused at least one DJ to tell Henriksen “you are the musical chameleon." He will politely acknowledge that statement but has consistently returned to his chosen ground zero of ambient jazz dominated by subtle improvisation. When Henriksen started playing in the '80s, he often collaborated with other musicians based, like him, in Norway. Since he began recording at the turn of ...
read moreJohn Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first appearance on Manfred Eicher's groundbreaking ECM label in 1976, Surman has forged an idiosyncratic path, releasing solo, duo, and quartet albums, transcultural collaborations (such ...
read moreJohn Surman: Words Unspoken
by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since 1966, and standing shoulder-to-shoulder with Terje Rypdal, Archie Shepp, Bill Frisell and John McLaughlin, British multi-reedist John Surman needs no lengthy introduction. He just ...
read moreVijay Iyer: Compassion
by Mike Jurkovic
As the title track of Compassion gets conjured up on a rubato tumble of Tyshawn Sorey's cymbals, bassist Linda May Han Oh begins her work which--on all of Compassion--is herculean. Vijay Iyer ushers in, and a quiet thing of beauty gets underway. It is one of the album's monster tracks. And eleven more tracks follow. Much like the trio's 2021 ECM effort Uneasy, Compassion makes for a most intense and most satisfying listen. “Arch" is a vivid display ...
read moreMatthieu Bordenave: The Blue Land
by Mike Jurkovic
Getting across the great open land beneath big sky country is full of epic moments. The Blue Land, French saxophonist Matthieu Bordenave's second for ECM, is that migrant's diary. As he so skillfully rendered on his 2020 ECM debut La Traversée, Bordenave again enters the studio conjoined with the assertive mood swings of bassist Patrice Moretand the rapidly moving divertimentos of pianist Florian Weber. Only this time he adds to that valorous energy the meatier, Art Blakey-like sentiments ...
read moreVijay Iyer: Compassion
by Neil Duggan
The term “Supergroup" is often over-used. It usually refers to a group whose members are already successful as solo artists. In rock music, it often referred to members of a successful rock group who got together for a recording, frequently disbanding later. Fortunately, Vijay Iyer, Linda May Han Oh and Tyshawn Sorey are going from strength to strength, showing no sign of disbanding and wholly justifying the term Supergroup. Compassion is their second album as a trio, following 2021's Uneasy ...
read moreVijay Iyer: Compassion
by Doug Collette
Vijay Iyer's Compassion should ratify his position alongside Brad Mehldau and Fred Hersch in the pantheon of contemporary jazz pianists/composers. That is, if previous, comparably stellar titles such as Historicity (Act Music, 2009) haven't already elevated his position accordingly. Once again in the company of bassist Linda May Han Oh and drummer Tyshawn Sorey, the visionary musician leads an ensemble that formulates an exquisite redefinition of jazz's well-established instrumental concept of the piano trio. Having released twenty albums ...
read morePalle Mikkelborg / Jakob Bro / Marilyn Mazur: Strands
by Chris May
Like a door that keeps revolving in a half-forgotten dream, or the ripples from a pebble someone tosses in a stream... like a circle in a spiral, like a wheel within a wheel... and so on. There are more déjà vu moments in Strands than Marcel Proust could have waved a madeleine at. Three of the six tracks--"Gefion," “Lykaster" and “Oktober"--were first heard on guitarist Jakob Bro's ECM debut, Gefion (2015). Five of them--"Lykaster" and “Oktober" plus ...
read moreSinikka Langeland: Wind And Sun
by Scott Gudell
Pause. Trust your inner self to guide you. Prepare to avoid the constant bombardment of a multitude of society's mind and body piercing assults. If you're not sure where to start, Sinikka Langeland is willing to help guide you. A master of the kantele (a Nordic instrument with similarities to plucked string instruments such as a zither or dulcimer,) Langeland has released a dozen albums since the mid-1990s with Wind and Sun being the 2023 addition to her canon.
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