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Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our Coming Soon page. Read our daily album reviews.

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Album Review

Eldbjorg Raknes: OPEN

Read "OPEN" reviewed by Eyal Hareuveni


Norwegian vocal artist Eldbjørg Raknes has created a sonic universe of her own. On every new release of her's, the solo album OPEN is already her 25th, she explores new and deeper sounds, nuances and colors. On the new album she focuses on the relation of the music and its raw, primal sounds and voices to the rooms, spaces and surroundings, indoors and outdoors, and how music is framed in relation to the audiences. Raknes is ...

151
Album Review

Eldbjørg Raknes: Sense

Read "Sense" reviewed by Eyal Hareuveni


Trondheim, Norway-based Eldbjørg Raknes never ceases to explore and expand her art. In this solo album, the 23rd in her discography, the innovative vocal artist explores the dense interplay between vocal utterance in its most basic forms, free-form texts and intuitive improvisation that culminates in an organic and highly personal manner of composition. Raknes is assisted by guitarist and sound sculptor Stian Westerhus      , her collaborator in her previous release From Frozen Feet Heat Came. On this ...

660
Album Review

Eldbjorg Raknes: From Frozen Feet Heat Came

Read "From Frozen Feet Heat Came" reviewed by Eyal Hareuveni


Trondheim-based voice artist Eldbjorg Raknes, like fellow Norwegian voice artist Sidsel Endresen, has developed a highly personal and non-literary vocal language over the last fifteen years. Like Endresen, with whom Raknes collaborated on Gack! (Jazzland, 1999), with the all-vocal improvisation trio ESE also featuring Elin Rosseland, Raknes is constantly pushing the musical envelope with each new work. On her last releases Solo and I Live Suddenly (My Recordings, 2006), she chose to interpret poems by Norwegian poet Olav H. Hauge ...


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